About James Rollins
JAMES ROLLINS is the New York Times bestselling author of international thrillers that have been translated into more than forty languages. Known for unveiling unseen worlds, scientific breakthroughs, and historical secrets, Rollins' knack for breakneck pacing and stunning originality has been hailed by critics and embraced by scores of millions of readers around the world.
The Critics Rave
The New York Times says that his "roguish charm comes from his efforts to persuade readers the story is credible [through] real-life sources for his novel's science, history and geography." Rollins' rare blend of action, suspense, and knowledge was also mentioned by the Huffington Post, which stated that "After Crichton passed away in 2008 he clearly passed the baton to James Rollins, who like Crichton, is a renaissance man."
NPR calls his work "adventurous and enormously engrossing..." and the New York Journal of Books had this to say: "If you're a fan of smart, entertaining adventure fiction, this is your summer beach read writ large....All the science, all the history, and all the locations are masterfully intertwined. The characters are multi-dimensional. And the story is, well, a corker."
The Story Teller's Story
As a boy immersed in the scientific adventures of Doc Savage, the wonders of Jules Verne and H.G. Wells, and pulps such as The Shadow, The Spider, and The Avenger, James Rollins decided he wanted to be a writer. He honed his storytelling skills early, spinning elaborate tales that were often at the heart of pranks played on his brothers and sisters.
Before he would set heroes and villains on harrowing adventures, Rollins embarked on a career in veterinary medicine, graduating from the University of Missouri and establishing a successful veterinary practice. This hands-on knowledge of medicine and science helps shape the research and scientific speculation that set James Rollins books apart.
Explosive Page-Turning Adventures
The exotic locales of James Rollins novels have emerged as a hybrid between imagination, research, and his extensive travels throughout the United States and Europe, as well as New Zealand, the South Pacific, China, Southeast Asia, Africa, Australia, and South America. Recent jaunts include book tours and stops across the country and several European nations to give talks, seminars, and media interviews. In recent years, much of James' travel has involved meeting readers in small and large groups, at writing and fan conferences, and even aboard seagoing "seminars." James' mentoring and coaching skills have made him a sought after writing instructor and guest speaker for workshops, symposia, conventions, and other forums throughout the country.
James Rollins is the author of nine thrillers in the bestselling Sigma Force series (Sandstorm, Map of Bones, Black Order, The Judas Strain, The Last Oracle, The Doomsday Key, The Devil Colony, Bloodline, and The Eye of God); six individual adventure thrillers; and the Jake Ransom middle grade series (Jake Ransom and the Skull King's Shadow, Jake Ransom and the Howling Sphinx.)
"synopsis" may belong to another edition of this title.
New York Times bestselling authors James Rollins and Rebecca Cantrell combine their talents in a gothic tale about anancient order and the hunt for a miraculous book known only as . . . The Blood Gospel.
An earthquake in Masada, Israel, kills hundreds and reveals a tomb buried in the heart of the mountain. A trio of investigators--Sergeant Jordan Stone, a military forensic expert; Father Rhun Korza, a Vatican priest; and Dr. Erin Granger, a brilliant but disillusioned archaeologist--are sent to explore the macabre discovery, a subterranean temple holding the crucified body of a mummified girl.
But a brutal attack at the site sets the three on the run, thrusting them into a race to recover what was once preserved in the tomb's sarcophagus: a book rumored to have been written by Christ's own hand, a tome that is said to hold the secrets to His divinity. The enemy who hounds them is like no other, a force of ancient evil directed by a leader of impossible ambitions and incalculable cunning.
From crumbling tombs to splendorous churches, Erin and her two companions must confront a past that traces back thousands of years, to a time when ungodly beasts hunted the dark spaces of the world, to a moment in history when Christ made a miraculous offer, a pact of salvation for those who were damned for eternity.
Here is a novel that is explosive in its revelation of a secret history. Why do Catholic priests wear pectoral crosses? Why are they sworn to celibacy? Why do the monks hide their countenances under hoods? And why does Catholicism insist that the consecration of wine during Mass results in its transformation to Christ's own blood? The answers to all go back to a secret sect within the Vatican, one whispered as rumor but whose very existence was painted for all to see by Rembrandt himself, a shadowy order known simply as the Sanguines.
In the end, be warned: some books should never be found, never opened--until now.
Author One-on-One: James Rollins and Rebecca Cantrell
Q. How did you two meet?
Rebecca: I used to live in Hawaii, and Jim was my instructor at the Maui Writer’s Retreat where I was workshopping a thriller. My first novel, A Trace of Smoke, had been accepted for publication a few weeks before and he kindly agreed to give me my first blurb. It was so good, I printed and hung it above my writing desk until it got covered in gecko poop. Then I took it down. Sorry about the poop, Jim.
Q. The Blood Gospel is a bit of a deviation from the books that both of you are traditionally known for. What inspired the idea for this book?
James: This book came about from viewing Rembrandt’s painting of "The Raising of Lazarus." It struck me strange how scared everyone looked, and this started me down a road of reflection about early Catholicism, vampirism, and a story began to unfold. I knew this could be a huge, ground-breaking new mythology, a story so epic in scope that I knew I didn’t want to tackle this alone.
Rebecca: Jim called to ask me if I was interested in collaborating on a project. The premise and the world were so intriguing and controversial, I said yes immediately.
Q. Both of you are well known authors in your own right; how did you learn to collaborate?
Rebecca: We went back and forth a lot while trying to decide what would be fun and interesting for both of us. Since we’re two people, more ideas come out and the books end up going in a direction I don’t think either of us would have found on our own. Luckily, he’s very open and easy to work with and has never once said “that’s the stupidest idea ever,” because I think you need to feel safe to throw out any idea at the beginning and see what sticks.
James: It’s one of the best things about collaboration: we each bring a unique skill set to the table. Scenes where I know I perhaps am more deft (i.e. action), I handle. Likewise, Becky’s skill at characterization and atmospheric historical descriptions, I let her run with it. That said, then we each take each other’s work and tweak it in new and surprising ways that neither of us could have done alone.
Q. Could vampires have been or be real?
Rebecca: Our series plays with the idea that vampires are and always have been a myth, but the myth is based on some truth—that strigoi have always existed within and without the Church and their bloody crimes have formed the basis of the vampire myth.
James: It was interesting how many of the Church’s trappings (hooded robes, crosses, celibate priests, and the rite of turning wine into Christ’s blood) could be directly folded into the vampire mythology. It makes you wonder if the Church isn’t keeping something secret about a mythology that has existed for millennia.
Q. Can fans expect to find elements of science in this series?
James: With a scientific background in biology, I wanted to instill into the mythology how vampirism might be possible, how such creatures could live among us, how they could survive without beating hearts, why silver would be toxic to them. The goal of this book was to explore the line between faith and science, so that meant exploring a scientific and historical rationalization for the existence of vampires.
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