Preface Part A: The Renaissance And Baroque Periods Chp. 1: Late Renaissance Polyphony Chp. 2: Two-Voice Eighteenth Century Counterpoint Chp. 3: The Fugue Part B: Chromatic Harmony Chp. 4: Borrowed Chords Chp. 5: Neapolitan 6th Chords Chp. 6: Augmented 6th Chords Part C: The Classical Period (1750-1825) Chp. 7: Variation Technique Chp. 8: Sonata Form Chp. 9: Rondo Forms Part D: Extended And Chromatic Harmony Chp. 10: 9th,11th, and 13th Chords Chp. 11: Altered Dominants Chp. 12: Chromatic Mediants Part E: The Nineteenth And Twentieth Centuries Chp. 13: The Romantic Period (1825-1900) Chp. 14: The Post-Romantic Impressionistic, and Related Styles Chp. 15: The Contemporary Period (1910-1945) Chp. 16: Twelve-Tone Technique Postlude: Music Since 1945 Appendixes Glossary Index
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Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.
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Book Description McGraw-Hill, 2008. Paperback. Book Condition: New. 8th. Brand New Text!!! Never Been Used!!! Edges barely worn. Barely shelfwear. This text is totally clean with no writing at all!!!. Bookseller Inventory # 111833
Book Description McGraw-Hill, 2008. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110073101885
Book Description McGraw-Hill, 2008. Paperback. Book Condition: New. 8th. Bookseller Inventory # DADAX0073101885