This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.
"synopsis" may belong to another edition of this title.
This reprint is of the first English paperback edition of Richard Wagner's autobiography. This is a primary document of enormous importance for all Wagner enthusiasts, being virtually the sole source of information of the composer's childhood and youth.About the Author:
Wilhelm Richard Wagner (22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama, and which was announced in a series of essays between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" (The Ring of the Nibelung). His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His "Tristan und Isolde" is sometimes described as marking the start of modern music.
"About this title" may belong to another edition of this title.
Book Description Constable, 1996. Paperback. Book Condition: New. book. Bookseller Inventory # 0094755205
Book Description Constable, 1996. Paperback. Book Condition: New. Bookseller Inventory # DADAX0094755205