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The plot of Moggach's 13th novel neatly matches the speculative frenzy of the period, careening from one improbable thrill to the next. It was, to be sure, a time of stunning economic lunacy, when a single Semper Augustus bulb could be sold for "six fine horses, three oxheads of wine, a dozen sheep, two dozen silver goblets and a seascape by Esaias van de Velde." The author expertly dabs in this sort of period detail, and her chapter epigraphs quote some charming 17th-century Dutch sources on morals and conventional wisdom. Indeed, it's these quasi-surreal touches--whales washing up on the coast, chimney pots toppling into the street, women rubbing goose fat into their hands--that make the lovers' overheated sentiments so plausible. "For centuries to come," the narrator says, "people will gaze at these paintings and wonder what is about to happen." Tulip Fever gives us the chance to do exactly that. --John Ponyicsanyi
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