"Marina Warner begins with the gospels, noting the slight allusions to Mary, and the curious confusions between the two women of that name. She points out the falsities, fables and manifest fabrications that have shaped mariolatry. This intriguing and intelligent book is an attempt to explain the origins, growth, appeal and persistence of the Virgin's cult. The narrative is a rich, allusive tapestry set in a framework of theological commentary." - New Society
"synopsis" may belong to another edition of this title.
Marina Warner is a prize-winning novelist and cultural historian whose works include From the Beast to the Blonde, Managing Monsters (the 1994 Reith Lectures), Indigo and The Lost Father (shortlisted for the Booker Prize).
"Dramatic, informative and entertaining...a substantial and provocative book." - TLS
"A work of remarkably elegant and eloquent scholarship." - Observer
"Astonishing and enlightening.... packed with scholarship, imagery, vivid selection, and wry contrastive comment." - Margaret Mead
"Marina Warner begins with the gospels, noting the slight allusions to Mary, and the curious confusions between the two women of that name. She points out the falsities, fables and manifest fabrications that have shaped mariolatry. This intriguing and intelligent book is an attempt to explain the origins, growth, appeal and persistence of the Virgin's cult. The narrative is a rich, allusive tapestry set in a framework of theological commentary." - New Society
"About this title" may belong to another edition of this title.
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