For the past few years Roddy Doyle has been writing stories for "Metro Eireann", a newspaper started by, and aimed at, immigrants to Ireland. Each of the stories took a new slant on the immigrant experience, something of increasing relevance and importance in today's Ireland. The stories range from 'Guess Who's Coming to the Dinner', where a father who prides himself on his open-mindedness when his daughters talk about sex, is forced to confront his feelings when one of them brings home a black fella, to a terrifying ghost story, 'The Pram', in which a Polish nanny grows impatient with her charge's older sisters and decides - in a phrase she has learnt - to 'scare them shitless'.Most of the stories are very funny - in '57 percent Irish' Ray Brady tries to devise a test of Irishness by measuring reactions to Robbie Keane's goal against Germany in the 2002 World Cup, Riverdance and 'Danny Boy' - others deeply moving. And best of all, in the title story itself, Jimmy Rabbitte, the man who formed The Commitments, decides it's time to find a new band, and this time no White Irish need apply. Multicultural to a fault, "The Deportees" specialise not in soul music this time, but the songs of Woody Guthrie.
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Roddy Doyle was born in Dublin in 1958. He is the author of nine acclaimed novels, one collection of short stories and Rory & Ita, a memoir about his parents. He won the Booker Prize in 1993 for Paddy Clarke Ha Ha Ha. His last book, The Dead Republic, was the final volume in the Henry Smart trilogy.
Doyle's dynamic first collection of short stories offers light and heartfelt perspectives on the effects of immigration on Irish culture. Originally serialized for a Dublin newspaper, all eight stories draw from the conceit of someone born in Ireland [who] meets someone who has come to live there. The opener, Guess Who's Coming for the Dinner, covers familiar ground—a self-proclaimed modern father is taken aback when his daughter invites a black fella to dinner—but Doyle's wry sense of humor saves the narrative from triteness. Fans of Doyle's previous work will revel in the title story, a follow-up to The Commitments that finds Jimmy Rabbitte masterminding a multicultural revival of Woody Guthrie music. The later stories find Doyle experimenting with different styles and voices: New Boy charts an unlikely friendship between a nine-year-old African immigrant and two small, angry Irish boys, while Black Hoodie finds a timid, indifferent teenager discovering his passion for civil rights and a Nigerian girl. There are some abrupt endings that veer toward the convenient, though this may be an unavoidable consequence of their serial origins. Doyle's immense talent as a writer is neatly showcased throughout, and his sharp wit adds a richness to every tale. (Jan.)
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