The novel is set just after World War Two, in a fictitious Germany. The Allies have decided to punish the country for Nazi war crimes by forcing it to develop back in to a pre-industrial society. All the achievements of technology - railways, streets, power, ships - have been destroyed or suspended, and in the village where The Kitahara Syndrome is set, villagers are forced to farm the land with primative tools and scavenge scrap yards. Memories of German war crimes are kept alive by bizarre rituals of remembrance: villagers are forced to dress as concentration camp inmates and act out the ceremonies of torture. This is the background to the story which focuses on three characters and the strange links that bind them.
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Here's some revisionist history for you: World War II has ended, but only in the West. The war in the Pacific will drag on for another 20 years before the atomic bomb is finally dropped at Hiroshima; in Germany, instead of the Marshall Plan, the victorious Allies have instituted a policy based on vengeance. The country has been completely deindustrialized: factories are torn down, roads destroyed, and the economy shattered. People live hardscrabble existences, scraping a living from the soil if they are honest, preying on others if they are not. Throughout the countryside, granite memorials have been erected as constant reminders of the Germans' transgressions, and long lines of repentant citizens pray before them for forgiveness that never comes. Such is the bleak landscape of German author Christoph Ransmayr's third novel, The Dog King.
Ransmayr constructs his dystopian tale around three characters: Bering, a young man who lives near the quarry that provides the special green granite for the memorials; Ambras, the crippled master of the quarry; and Lily, known as "the Brazilian" for her attempt to seek refuge in South America. Having assembled his cast, Ransmayr sends them on a journey from the horrors of postwar Germany to the jungles of Brazil in search of more green granite. What happens there makes for a sensational ending to a very disturbing tale.From the Inside Flap:
From Christoph Ransmayr, whose brilliant rise to preeminence among the younger generation of writers in the German language was recently crowned when he shared with Salman Rushdie Europe's most prestigious new literary award, the Aristeion Prize--a novel in which fiction and history are forged into a universe of mythic intensity.
World War II has ended, but only in the West. Central Europe is slipping back into its agricultural past.
The bomb has not yet been dropped--nor will it be for twenty years. The Allies have punished Germany for its war crimes by forcing it to revert to a preindustrial age: power stations, railways, factories, and all the machinery of technology have been destroyed or abandoned and left to decay. Moor is a small quarry town (Mauthausen in the all-too-recent past of real history). The occupying American army has installed a camp survivor, Ambras, to govern the local population. Brave, lonely, hated and feared by his former persecutors, Ambras has returned to Moor only because his Jewish wife died there. Setting up house in a derelict villa surrounded by wild hounds that earn him the nickname the Dog King, he chooses another loner, the village boy Bering, as his bodyguard. Moving away from his family and into the compound, the boy enters a new universe of power, of half-glimpsed ideas, of contact with the forbidden world outside. And he meets the only other person Ambras welcomes, a strange and beautiful orphan girl named Lily who lives and hunts in the hills, who knows where the weapons are hidden and forages in the "free world for the goods the villagers crave. But Bering's new life begins to unravel as he succumbs to a strange eye disease known as Morbus Kitahara, in which the vision gradually darkens and which tends to afflict marksmen and sharpshooters. Only Lily can find help, can offer them all a possible future.
The three make a courageous bid to escape, and the account of their flight brings the novel to its extraordinarily gripping and suspenseful climax.
Searingly powerful, with a poetic intensity that stays with the reader long after the last page, The Dog King is a modern masterpiece.
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