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Incorporating the latest research and worldwide uses of photography, this book surveys the history of art photography in such a way that readers can gauge the medium's long-term multifold developments and see the historical and intellectual contexts in which photographers lived and worked. It also provides a contemporary focus on electronic media and photography's' place in it. A chronological presentation covers: The Origins of Photography (to 1839), The Second Invention of Photography (1839-1854), The Expanding Domain (1855-1880), Photography in the Modern Age (1880-1918), A New Vision (1919-1945), Through the Lens of Culture (1945-75), and Convergences (1975-2000). For individuals interested in photography—and its history.
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Mary Warner Marien's book is interesting and provocative, and provides a new perspective on the history of photography. Each of the eight chapters takes a timeframe of between fifteen and nearly forty years in which to examine the medium through the lenses of art, science, social science, travel, war, fashion, the mass media, and individual practitioners.
These broad topics work alongside a fully developed cultural context in which the emphasis is more on key ideas than individuals. So the reader will follow debates such as the nature of invention, the effect of mass media on morality, the use of imagery as a tool of Western colonialism, and the role of the photograph in advertising, radical politics, and family life. "Focus" boxes highlight interesting cultural or controversial issues, for example "Photography and Futurism" and "Lewis Carroll's Photographs of Children." The author also pays close attention to how contemporary practitioners, commentators, and beholders have talked about specific works, the nature of photography, and the photographer's changing role in society.
In addition to representing the established canon of Europe and the United States, the book benefits from two decades of new research into non-Western photography and yields rarely seen work from Latin America, Africa, India, Russia, China, and Japan. Great names from the world over are well represented: Ansel Adams, Henri Cartier- Bresson, Louis-Jacques-Mande Daguerre, Walker Evans, Roger Fenton, Hannah Höch, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Peter Magubane, Don McCullin, Alexandr Rodchenko, Cindy Sherman, Raghubir Singh, William Henry Fox Talbot, Andy Warhol, and Edward Weston. Additionally, featured in more detail in "Portrait" boxes are photographers such as Margaret Bourke-White, Mathew Brady, Manuel Alvarez Bravo, Julia Margaret Cameron, Gertrude Kasebier, Jacob Riis, August Sander, Alfred Stieglitz, and Shomei Tomatsu.
Mary Warner Marien has constructed a richer and more kaleidoscopic account of the history of photography than has previously been available. Her comprehensive survey shows compellingly how photography has sharpened, if not altered forever, our perception of the world.About the Author:
Mary Warner Marien is an associate professor in the Department of Fine Arts at Syracuse University, Syracuse, New York, where she teaches courses on photographic history as well as on art criticism and its history. She is the author of Photography and its Critics (Cambridge University Press, 1997) as well as numerous articles on the history of photography.
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Book Description Prentice Hall, 2002. Condition: New. book. Seller Inventory # MB011DBD89Y
Book Description Condition: New. New. Seller Inventory # STRM-0130198560
Book Description Condition: New. New. Seller Inventory # STR-0130198560
Book Description Prentice Hall, 2002. Paperback. Condition: New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!. Seller Inventory # 0130198560n