The Tragedie of Julius Caesar (Shakespeare Originals: First Editions)

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9780133555387: The Tragedie of Julius Caesar (Shakespeare Originals: First Editions)

The Tragedie of Julius Caesar dates from around 1599, and was first published by Heminge and Condell as the sixth play in the Tragedies section of their First Folio of 1623. The Folio text is thus the only authoritative text of the play and has been the basis of all later editions. Julius Caesar is also a particularly clean text with few obvious errors and comparatively few points where conjectural readings are called for. There is ample evidence of thematic ambiguity in the play, an ambiguity which the play's editorial and theatrical history has sought to smooth over. The editorial resolution of ambiguities has closed off certain routes of interpretation, directions that the original text offers its readers and performers. This new edition presents the play in the form in which it appeared in the First Folio, restoring, for example, the Folio's punctuation and lineation and revealing through these rhetorical emphases and nuances of characterization lost by later editorial regularization. Julius Caesar is a profoundly political play easily made to reflect the political dilemmas of the society in which it is produced. Not only is it amenable to such appropriation by virtue of its political themes but also because of its essential enigmatic nature. The editorial tradition of removing these complications has the effect of modifying and distorting the play. This edition returns the original form of the play to circulation and thereby reopens the avenues of interpretation that were originally offered by Julius Caesar.

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Book Description:

Professor Spevack's critical discussion shows how private desires and public affairs are inextricable in Julius Caesar and how Shakespeare frames the world of this play - person, action, place, time - within the operations of larger forces, mysterious, ironical, and undeniable.

From the Publisher:

In this striking tragedy of political conflict, Shakespeare turns to the ancient Roman world and to the famous assassination of Julius Caesar by his republican opponents. The play is one of tumultuous rivalry, of prophetic warnings--"Beware the ides of March"--and of moving public oratory "Friends, Romans, countrymen!" Ironies abound and most of all for Brutus, whose fate it is to learn that his idealistic motives for joining the conspiracy against a would-be dictator are not enough to sustain the movement once Caesar is dead.

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Shakespeare, William
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