Giving readers the tools and know-how to confidently write an effective essay, this complete, step-by-step guide to the composition and grammar structure of an essay addresses all parts of the classic five-paragraph essay - thesis, introduction, body and conclusion - in separate sections, and includes myriad examples and practice exercises to help hone each element. Direct and conversational, it includes an entire section on grammar, and a selection of twenty readings - complete with reading comprehension questions and writing assignments. Presents the writing steps in the order in which writers use them; i.e., begins with a chapter on prewriting, moves on to individual chapters on the thesis, introduction, supporting paragraphs, and conclusion - then follows through chapters on revising and proofreading. Offers a clear, step-by-step presentation of grammar that is easily referenced. Provides a varied and relatively short selection of readings that can be used for comparison in structure and content. Adds levity and interest to the subject with lighthearted, fun and informative boxes, and motivates users to hone their writing skills with numerous journal, paragraph, and essay writing assignments throughout. For anyone wishing to develop their composition/developmental essay writing skills.
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Preface: Updates to the Second Edition
Several changes have been made in the second edition of Wordsmith: A Guide to College Writing.
Updates to Part 1: Composition
Updates to Part 2: Grammar
Updates to Part 3: Readings
Preface To the Instructor
Thank you for choosing Wordsmith: A Guide to College Writing, Second Edition, as your textbook.
Like you, I am a teacher of writing. Like you, I struggle to find the best way to teach a subject that, on its surface, seems as simple as touching pen to paper. Yet writing is remarkably complex, incorporating the personality and experience of each writer and each reader. It requires adherence to agreed-upon rules of grammar, punctuation, and form. It is, in fact, a craft that might best be taught to a small group of students in a series of unhurried sessions and individual conferences over an extended period of time. But our reality is the fifty-minute hour, the class of twenty or more, the term that is measured in weeks. How best to handle that reality?
Most of us constantly refine our teaching methods, striving to make difficult concepts clear and tedious details interesting. Most of all, we try to ignite the spark that will help our students see writing as a meaningful, life-enriching activity. A good textbook should reinforce our efforts. I have spent considerable time trying to analyze what a good textbook should do, above and beyond presenting information in a given field. Here is what I have come up with: The book should be orderly and user-friendly, with a flexible format. Explanations should be clear and supported by numerous exercises and examples. The book should contain much more than is strictly necessary: it should be a smorgasbord, not just a meal. Finally, if it includes a little bit of fun, so much the better—for us and for our students. I have written Wordsmith with those principles in mind.
Features of Wordsmith: A Guide to College Writing
Although each of you will use the book in a different way and adapt to your own students' needs, the following overview of each section may give you some ideas. To give you more choices, I include more material than can comfortably be covered in one term. Use what you need and what your students need, and leave the rest. If you don't like "leftovers," look at the suggestions in the Instructor's Manual for making use of the whole book.
Part 1: Composition
Part 1, Composition, begins with an overview of the writing process and a review of the paragraph (Chapter 1), followed by a chapter on prewriting (Chapter 2). Planning and drafting, the next two steps in the writing process, are addressed in Chapters 3 through 6. Finally, Chapter 7 addresses revising and proofreading.
Chapters 8 through 10 address methods of development. I have sacrificed some flexibility by grouping the methods, so let me explain why. The first reason is philosophical. I believe it is more realistic to group the modes, since they are seldom used in isolation in "real-world" writing. Modes with a similar purpose are grouped together, and the optional "Mixed Methods" assignments at the end of the chapter show how the modes can be used together in a single piece of writing. The second reason for grouping modes is more practical. No matter how hard I try, I can never cover nine rhetorical modes in one term. Grouping them allows me to assign a chapter containing three modes and address only one or two in depth. If all three rhetorical modes chapters are- assigned, students are ex
Chapter 11 provides a step-by-step guide to writing a research paper, including locating and evaluating sources, paraphrasing effectively, and formatting a paper in MLA style.
Special Features of Part 1: Composition
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