Provides a portrait of artist Margarett Sargent, an icon of avant-garde art during the 1920s, discussing her turbulent personal life
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Honor Moore is a poet and the author of The Bishop’s Daughter. She lives in New York City and teaches at the New School and Columbia University.
Rebelling against her Boston Brahmin family and ditching her fiance, spirited Margarett Sargent (1892-1978), a fourth cousin of John Singer Sargent, became a modernist painter and sculptor. Her brightly colored oils, pastels and watercolors, influenced by Matisse and Picasso, were widely exhibited in the 1920s and '30s. Her marriage in 1920 to rich Boston businessman Quincy Shaw McKean became a battleground of wills and temperaments, and Sargent had numerous affairs with men and women, including novelist Jane Bowles. She began drinking heavily in the 1930s while trying to balance the demands of raising four children and an artistic career. In 1948, Shaw McKean announced that he was divorcing her to marry tennis champion Kay Winthrop. Sargent's manic-depressive illness and alcoholism led her to undergo electroshock therapy and repeated stays in sanatoriums. In her early 40s, she gave up art and turned to horticulture, designing gardens professionally. Poet and playwright Moore, the artist's granddaughter, oscillates between straightforward biography and wistful memoir in recounting the turbulent life of a woman whose friends included Alexander Calder, Bernard Berenson, Ziegfeld star Fanny Brice and Mount Rushmore sculptor Gutzon Borglum. Illustrated.
Copyright 1995 Reed Business Information, Inc.
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Paperback. Condition: Near Fine. 1st. 371 pages, [12] pages of plates, illustrations (some colour), 1 portrait; 20 cm. Near fine. Tight, clean copy. Age toning. First paperback edition. *** "At the heart of Margarett Sargent's life lies a mystery, lost in silence. Why does a woman who has devoted herself to making art, stop? A marvelously gifted painter, Sargent spent much of her life smashing convention. She was born into stultifying privilege in the age of Edith Wharton, but sought another life - and as the American art world shuddered under the impact of Modernism, Margarett was hurling bright colors onto canvas, forging her own unique style. For a time, she seemed capable of everything: raising the ideal children, perfecting her art, hosting the most daring parties, conducting the most outrageous affairs, drinking more than anyone else. Whispered rumors and tales of her audacious wit trailed her from Brahmin Boston to New York to Paris. But drink was becoming her best companion; it smothered the awkward clashes between society wife and creative artist, and no one saw that the exuberant appetites of a charismatic woman concealed a creeping paralysis of will. When, after twenty years of successful exhibitions, it seemed she was finally to be accepted on her own terms as a painter, she chose to lay down her brushes. Honor Moore has refused to let her grandmother's mystery rest. In a mesmerizing weave of biography and reflection, she pieces together a fascinating and unexpected story, and returns to Margarett Sargent the voice she relinquished. In writing as vivid and exhilarating as Sargent's painting, Moore recovers a life whose agonies and triumphs echo the striving of creative women in our century." - Publisher. Size: 8vo. Seller Inventory # 028724
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