'EXCUSE ME, SIR, BUT MAY I BE OF ASSISTANCE? AH, I SEE I HAVE ALARMED YOU. DO NOT BE FRIGHTENED BY MY BEARD. I AM A LOVER OF AMERICA...' So speaks the mysterious stranger at a Lahore cafe as dusk settles. Invited to join him for tea, you learn his name and what led this speakerr of immaculate English to seek you out. For he is more worldly than you might expect; better travelled and better educated. He knows the West better than you do. And as he tells you his story, of how he embraced the Western dream-and a Western woman-and how both betrayed him, so the night darkens. Then the true reason for your meeting becomes abundantly clear...
"synopsis" may belong to another edition of this title.
Mohsin Hamid's first novel, Moth Smoke, dealt with the confluence of personal and political themes, and his second, The Reluctant Fundamentalist, revisits that territory in the person of Changez, a young Pakistani. Told in a single monologue, the narrative never flags. Changez is by turns naive, sinister, unctuous, mildly threatening, overbearing, insulting, angry, resentful, and sad. He tells his story to a nameless, mysterious American who sits across from him at a Lahore cafe. Educated at Princeton, employed by a first-rate valuation firm, Changez was living the American dream, earning more money than he thought possible, caught up in the New York social scene and in love with a beautiful, wealthy, damaged girl. The romance is negligible; Erica is emotionally unavailable, endlessly grieving the death of her lifelong friend and boyfriend, Chris.
Changez is in Manila on 9/11 and sees the towers come down on TV. He tells the American, "...I smiled. Yes, despicable as it may sound, my initial reaction was to be remarkably pleased... I was caught up in the symbolism of it all, the fact that someone had so visibly brought America to her knees..." When he returns to New York, there is a palpable change in attitudes toward him, starting right at immigration. His name and his face render him suspect.
Ongoing trouble between Pakistan and India urge Changez to return home for a visit, despite his parents' advice to stay where he is. While there, he realizes that he has changed in a way that shames him. "I was struck at first by how shabby our house appeared... I was saddened to find it in such a state... This was where I came from... and it smacked of lowliness." He exorcises that feeling and once again appreciates his home for its "unmistakable personality and idiosyncratic charm." While at home, he lets his beard grow. Advised to shave it, even by his mother, he refuses. It will be his line in the sand, his statement about who he is. His company sends him to Chile for another business valuation; his mind filled with the troubles in Pakistan and the U.S. involvement with India that keeps the pressure on. His work and the money he earns have been overtaken by resentment of the United States and all it stands for.
Hamid's prose is filled with insight, subtly delivered: "I felt my age: an almost childlike twenty-two, rather than that permanent middle-age that attaches itself to the man who lives alone and supports himself by wearing a suit in a city not of his birth." In telling of the janissaries, Christian boys captured by Ottomans and trained to be soldiers in the Muslim Army, his Chilean host tells him: "The janissaries were always taken in childhood. It would have been far more difficult to devote themselves to their adopted empire, you see, if they had memories they could not forget." Changez cannot forget, and Hamid makes the reader understand that--and all that follows. --Valerie Ryan
Read the Amazon.com Interview with Mohsin Hamid
Published in hardcover by Harcourt, 2007, 978-0-15-101304-3/0-15-101304-7
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