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When the body of an wealthy elderly woman is found, brutally murdered in her Venetian flat, it is soon clear to the police that the prime suspect is her Rumanian maid, who has disappeared and is heading for Rumania. When the woman is approached by the border police as her train is leaving Italy, she makes a run for it and is killed as she crosses the tracks in front of an oncoming train. She has a considerable sum of money on her and her papers are obvious forgeries. Case closed. But when the old woman's neighbour returns from a business trip in London, it becomes clear that the maid could not have had time to kill the old woman before catching her train, and that the money on her was not stolen. Commissario Brunetti decides - unofficially - to take the case on himself. As Brunetti learns more of the old woman's family, it becomes clear that this is probably not a crime motivated by greed, rather that the probable motive connects with the temptations of lust. But perhaps Brunetti is following a false trail and thinking of the wrong deadly sin altogether-
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When a wealthy Venetian woman is found brutally murdered, the prime suspect is her Romanian maid, who has fled the city. As she attempts to leave the country, carrying a considerable sum of money and forged papers, the maid runs into the path of an oncoming train and is killed. Case closed.
But when the old woman's neighbour returns from abroad, it transpires that the maid could not have been the killer. Commissario Brunetti decides - unofficially - to take on the case himself.
As Brunetti investigates, it becomes clear that the motive for the murder was unlikely to have been greed, rather that it had its roots in the temptations of lust. But perhaps Brunetti is thinking of the wrong deadly sin altogether . . .About the Author:
A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. It was after a period in Saudi Arabia, which she found ‘damaging physically and spiritually’ that Donna decided to move to Venice, where she has now lived for over twenty years.
Her debut as a crime fiction writer began as a joke: talking in a dressing room in Venice’s opera-house La Fenice after a performance, Donna and a singer friend were vilifying a particular German conductor. From the thought ‘why don’t we kill him?’ and discussion of when, where and how, the idea for Death at La Fenice took shape, and was completed over the next four months.
Donna Leon is the crime reviewer for the London Sunday Times and is an opera expert. She has written the libretto for a comic opera, entitled Dona Gallina. Set in a chicken coop, and making use of existing baroque music, Donna Gallina was premiered in Innsbruck. Brigitte Fassbaender, one of the great mezzo-sopranos of our time, and now head of the Landestheater in Innsbruck, agreed to come out of retirement both to direct the opera and to play the part of the witch Azuneris (whose name combines the names of the two great Verdi villainesses Azucena and Amneris).
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Book Description Penguin Books, 2010. Condition: New. book. Seller Inventory # M0143117084
Book Description Penguin Books, 2010. Paperback. Condition: New. Never used!. Seller Inventory # P110143117084
Book Description Penguin Books, 2010. Paperback. Condition: New. Reprint. Seller Inventory # DADAX0143117084
Book Description Penguin Books. PAPERBACK. Condition: New. 0143117084 New Condition. Seller Inventory # NEW7.0031280