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A clear and accessible volume spanning the entire theory course, HARMONY AND VOICE LEADING, 5th Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. In the fifth edition, starting with Unit 4, the upper- and lower-case system of Roman numeral analysis has been incorporated to facilitate students' recognition of chord quality. In addition, Schenker's notion of linear progressions--an important concept in later, more advanced work in tonal analysis--is informally introduced in Unit 11. Available with MindTap Music, which includes the ebook with audio examples, Guided Listening Exercises for many units, quizzing and PDFs of the workbook exercises.
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Edward Aldwell received his bachelor's and master's degrees from The Juilliard School where he studied piano with Adele Marcus. He studied theory and analysis privately with Carl Schachter and later with Ernst Oster. He has been a member of the Techniques of Music department at Mannes since 1969 and a member of the piano department since 1973. He has taught theory at The Curtis Institute of Music since 1971 and is currently Chairperson of the theory department. He has given recitals and master classes throughout the United States as well as in Israel, England and Germany, many of them devoted to the works of Bach. Recordings include both books of THE WELL-TEMPERED CLAVIER, GOLDBERG VARIATIONS and FRENCH SUITES OF BACH, as well as works of Hindemith and Faure.
Allen Cadwallader is Professor of Music Theory at Oberlin Conservatory of Music, where he teaches counterpoint, tonal harmony, and Schenkerian analysis. He is editor of TRENDS IN SCHENKERIAN RESEARCH, ESSAYS FROM THE THIRD INTERNATIONAL SCHENKER SYMPOSIUM, ESSAYS FROM THE FOURTH INTERNATIONAL SCHENKER SYMPOSIUM, VOL. 1, and coauthor of ANALYSIS OF TONAL MUSIC: A SCHENKERIAN APPROACH (Oxford University Press). He has published articles on Schenkerian theory in JOURNAL OF MUSIC THEORY, MUSIC ANALYSIS, and MUSIC THEORY SPECTRUM, and has given lectures and workshops on Schenker's work in England, France, Germany, and the United States.
"I am very impressed with this text in regards to the way it addresses such significant topics as passing tones, neighbor tones, elaborations of pitch, chord displacement and surface rhythm, suspension preparation and resolution, implied harmony, bass-line harmonic participation, suspensions and anticipations and much, much else."
"Part V: Dissonance and Chromaticism... provides an excellent introduction both to general principles and concepts and to specific materials and techniques. The Points for Review following each chapter are very helpful..."
"Part II is... thorough, and detailed and very musical with lots of excellent musical examples."
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Book Description HBJ College & School Division, 1978. Paperback. Condition: New. Never used!. Seller Inventory # P110155315161
Book Description HBJ College & School Division, 1978. Condition: New. book. Seller Inventory # M0155315161