It is New Year's Day, 1965, and the body of Father George Sedgewick is discovered on a snow-covered runway of Logan Airport. Gone missing are four thousand communion hosts consecrated by Pope Paul VI, meant to be given out to the faithful at the first English-language mass in America later that year.
Ray Dunn, a rising young assistant district attorney and the son of a corrupt cop, is assigned to the case. In another part of the city, legendary narcotics detective Manny Manning begins a desperate search for the shadowy source of deadly new heroin hitting the streets. This time Manny is determined to reach the top, but his adversary is cunning, brutal--and branching out into a strange drug called "acid."
These quests for a killer and a dealer will intersect, unleashing the ghosts of the past and unlocking the secrets of Boston's most powerful institutions. Authentic, knowing, and bracingly cynical, Bag Men is a powerful thriller that will keep readers on the edge of their seats.
"synopsis" may belong to another edition of this title.
Mark Costello worked as a federal prosecutor for five years before writing Bag Men, his first novel, under the name John Flood. He lives in New York.
Ray Dunn parked his car behind the morgue truck, locked the doors, and trudged through flying snow. He counted three Buicks from Homicide, six blue-and-whites from the airport police, and Crime Scene's unmarked van.
A small man huddled by the chain-link fence, steering an umbrella into the wind. He wore a blue belted ski parka, orange mittens, a hat with flaps, and buckle-across galoshes.
"You Pringle?" Ray asked him.
Pringle nodded glumly, as if stuck with it. "You the DA?"
"Assistant DA. What seems to be the problem?"
"The problem? The problem is the dead man lying on my runway." Pringle's glasses fogged as he talked.
"What about him?"
"Look around you," Pringle said. "What do you see?"
Visibility was nil. "Not much," Ray said.
"Snow is what you see-a foot on the ground and more on the way. Up north and inland, it's even worse. We're the only civilian airport open above New Haven."
Ray was a diplomat. "Really?"
"Really. Airliners land into the wind, friend, which is presently fifteen knots, north-northeast, at the tower"-Pringle pointed over his shoulder-"but shifting to the south." Blinded by eyeglass fog, he shot a mittened hand southward, straight out. Ray ducked.
"If the wind keeps shifting, Five South-A will be the only usable runway at the only open airport in this part of the United States. There are twenty-one flights, a few thousand souls, waiting to land over our heads. They're running out of fuel at eight thousand feet."
"So land them," Ray said. "No one's stopping you."
"He's stopping me!" A knot of gawkers a few car lengths up stared at Pringle, who was windmilling with his free hand and bouncing the umbrella for emphasis.
Ray tried not to get poked in the eye. "He who?"
"The dead man!"
"Move him then," Ray said, stepping back from the dangerous Pringle.
"I tried. Some men from the morgue-not nice men, either-say nobody but them can move a corpse. A union thing."
"Teamsters," Ray sighed. "Let them move him."
"They won't, and I tried everything, including bribery. They took my money and laughed at me. I wrote their names down." He patted his pockets. "Something should be done about them."
"Why won't the morgue guys move the corpse?"
"They say the police have to sign for it first."
"Why won't the police sign for it?"
"They will, they all will, that's the problem. The Boston police and the airport cops started arguing about whose body it was. That was two hours ago."
Finally, Ray understood: BPD Homicide owned all murders in the city limits, but Massport Police was sovereign on Port property, Boston or not, and both departments claimed the case.
Ray walked to the gap in the fence, Pringle at his heels. Stringers from the Globe and Record-American waited by a trash can for anything that smacked of news. They passed a bottle back and forth, grumpy and uncomfortable. A detective guarded a hole in the fence, keeping them at bay.
Ray waved hello. "Happy New Year."
"Well, if it isn't the henchman, Mr. Dunn. About fucking time," the guy from the Record-American cracked.
"Any truth to the rumor that your narcs roughed up those three Negro kids outside the Sheraton on Christmas Eve?" the Globe asked, passing the bottle.
"Yeah," the Record-American said. "You ever gonna investigate what happened to those kids?"
Ray waved goodbye. He stepped through the slit in the fence, gathering the tails of his gray overcoat so as not to catch them on the clipped chain-link. As he did, his fedora was brushed off his head. The Record-American snatched it up and held it hostage.
"Give us a quote on the corpse at least," he said. "We're a pair of starving birds over here."
The detective seized the hat from the reporter's hands, knocking it to the snow again. Pringle, jostled, stepped on it.
The detective picked the hat up and passed it to Ray through the hole in the fence. Ray punched the galosh print out of the crown.
"You want a quote?" he asked the stringers, fitting the misshapen hat on his head with dignity.
"And a picture," the Globe said.
"You can get a picture when we come down the hill with the body. Here's your quote." Ray's voice went suddenly sonorous. "Just after dawn, officers of the Massachusetts Port Authority Police found the body of a male." This was the civil service speaking.
The stringers' pencils raced across their pads.
"While the identity of the decedent is not yet established-"
"Murder?" the Record-American asked.
"What color?" the Globe added, pencil in the air.
Their editors would need to know. Slain Caucasians went on page two. Everything else was space-as-available.
"Likely murder," Ray said. "Definitely white. Where the hell was I?"
'Identity...decedent...not yet established,'" the Record-American cribbed from his pad.
"-however," Ray continued in his other voice, "detectives from Massport and the Boston Police Department are cooperating in a joint investigation-"
As he said this, a Massport lieutenant pushed the Homicide lieutenant into the snow up the hill, shouting, "That corpse is yours over my dead body!"
The Record-American stringer whistled. "Christ, what a quote."
Ray said, "Use that and I'll yank your creds." He could make good on the threat, and the stringers knew it. Ray was the DA's Mr. Fixit. He leaked lurid scoops to the helpful tabloids and sent pesky columnists to a colder place than this. It was one of many hats Ray wore under his fedora.
Ray left Pringle skulking at the fence with the Globe and Record-American. He hiked up a small rise to where the corpse lay. One runway over, a silver-bottomed jet dropped from the fog, appearing all at once, ghostly and majestic, its sound catching up to it a moment later. The jet sledded in for a rough landing, vanishing down the runway, throttling turboprops muffled in the snow.
Two teamsters from the morgue stood together, hands in armpits, watching the cops lock horns.
"Happy New Year, Guvinah," the teamsters sassed.
"The guy from the airport wants your heads," Ray said.
"Who, Pringle? He's our pal," one of the teamsters said.
"He likes to hand out money," the other said.
"And we just met him," the first man observed. "Nice hat, by the way."
"The corpse is mine," the Homicide lieutenant shouted, brushing snow off his ass, jaw to jaw with his Massport counterpart. The cops were about to brawl, eight or nine guys from Boston Homicide, all in plainclothes, versus a dozen blue uniforms from Massport.
Ray ignored them. Crime Scene technicians snapped pictures from fifty different angles of what was a fairly simple thing: one dead man in a fur-lined raincoat, name unknown. Port patrolmen walked grids, looking for Clues, like in the movies. The black asphalt runway, thirty yards across, was quickly snowing over.
The corpse lay under an Army-green tarp in the middle of a large circle of trampled slush, bloody in the middle, muddy toward the perimeter. The slush was littered with cigarette butts, canisters of film, gum foils, and crushed Styrofoam cups.
Ray dropped to his haunches and folded the tarp back. The corpse wore suede desert boots and tan corduroy pants. The left hand lay palm-up in pink snow. The right hand was across the corpse's chest. Blood from fist-sized head wounds had soaked the raincoat and frozen it stiff. The dead man looked like a professor of anthropology at a small college in Vermont, except for his face, which could have been anything.
"I'm thinking robbery-gone-wrong," a hovering Massport patrolman said to Ray, as if asked. "Prolly a hooker."
"Hooker?" Ray said. "Where do you get that?"
The patrolman squatted next to Ray and parted the stiff raincoat, revealing a gray crew-neck sweater and white turtleneck, which the Crime Scene men had scissored down the front. Under the turtleneck was a wraparound linen vest, also cut open by the cops. The patrolman peeled the vest away. Inside, where the vest met the skin, were a dozen rows of rough steel studs. The chest of the dead man was dotted with scars-new, old, and ancient-in the pattern of the studs.
"He was some kind of sex freak," the patrolman conjectured. "Pain is pleasure, pseudo-masochism, that type. Hires a gal for some kink, but the fun gets out of hand. She pulls a knife. They struggle and she cuts him. She panics, brains him, and clips his wallet and watch as an afterthought. Seen enough?"
"What knife? What cuts?"
The patrolman let the vest fall closed and pushed the corpse's sleeve up, exposing hashmark slashes on the inside of the forearm. One looked recent. The rest didn't. Another plane boomed in next door, gear down.
Ray cadged a thermos top of coffee from one of the morgue drivers and tried to put everything he knew together in his head: professor arrives with one of last night's flights, or is here to meet a passenger, or to catch a plane himself, or none of the above. There was no blood leading back to the slit in the fence, so the beating happened here. Signs of robbery were present: the missing wallet, watch, and suitcase. But one big thing didn't fit: rob-murders were generally businesslike; whoever killed the professor lingered here to beat his face off. Whoever killed him hated him.
Ray called the cops into a huddle. "Enough's enough," he said. "I want a canvas of the whole airport. Massport, handle that. Talk to everybody-and check the trash cans between here and the front gate. See if whoever took this guy's wallet threw it away. I need to report to the DA tonight, so get back to me by dark. I'll follow the body to the autopsy. Call me there with something good."
Ray buttonholed the teamsters and snatched their paperwork, scrawling a big R.D. across the bottom. The two morguemen tucked the tarp around the corpse. Each grabbed an end and struggled to...
"About this title" may belong to another edition of this title.
Book Description Mariner Books, 2003. Paperback. Book Condition: New. BOOK STORE BUY OUT! THIS IS A BRAND NEW BOOK! Some books may have a book store price sticker on them. Bookseller Inventory # mon0000015375
Book Description Harvest Books, 2003. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: PRAISE FORBAG MEN "Bag Menis terrific. The hard-knocks, hardboiled world of Boston in 1965 re-created, and the story and the characters are beautifully realized. This book is pure pleasure."--Scott Turow "One of the most powerful and impressive pieces of crime fiction in recent memory . . . A strange, sad, violent odyssey."--The Wall Street Journal. Bookseller Inventory # ABE_book_new_0156028212
Book Description Harvest Books, 2003. Paperback. Book Condition: New. New item. May have light shelf wear. Bookseller Inventory # 170106042
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Book Description Elsevier. Book Condition: New. pp. 276. Bookseller Inventory # 5265614
Book Description Harvest Books, 2003. Paperback. Book Condition: New. Bookseller Inventory # P110156028212
Book Description Harvest Books. PAPERBACK. Book Condition: New. 0156028212 New Condition. Bookseller Inventory # NEW6.0067863