This stunning first novel describes a complex world of domestic disharmony, forbidden love, and family secrets festering through generations. In alternating voices, two sisters and the daughter of a third piece together their family's history in a South Carolina mill town. A New York Times Notable Book of the Year.
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I grew up on Grand Island, surrounded by woods along the banks of the Niagara River. Places filled with the raw power of nature are one of the main inspirations in my writing. Later, I lived in the Midwest and then the Northeast. I graduated from Hollins College in the Blue Ridge Mountains and attended graduate school in the Ozarks of Arkansas. I seek out places of beauty that are untouched, but I'm drawn in my novels to understand towns, families, marriages, and lovers. My books take place in different areas of the country, and a sense of place is always essential to them.
My awards include a Notable Book of the Year Award from the New York Times and fellowships from the Kentucky State Arts Councils, the Kentucky Foundation for Women and the Virginia Center for the Creative Arts. My stories and poetry have been published in numerous magazines including The Southern Review, Kansas Quarterly, The Wisconsin Review, Clapboard House, New England Watershed, The Seattle Review, Poet Lore, and the Mid-American Review.
A carefully crafted first novel by poet Osborn that touches in on the lives of three sisters raised in a dusty South Carolina milltown. They are Rose, Lily, and June, daughters of a dirt-poor cotton farmer, but three very different shoots from the same vine. Salt-of-the-earth Rose marries mill-worker Edward and leads a lean but very steady life, bearing three children and cleaving to the church as the troubles of even the most conscientiously lived life threaten to drag her down. Lily devotes herself to getting what she wants, which is chiefly sex, though personal license doesn't set her free since she can't keep herself from bad-seed Charles, her first husband, even after she divorces him and marries mill-boss Forrest. And poor June, who weds the town banker, gets institutionalized after attempting infanticide; her daughter, Sylvie, is taken in by Rose and develops a passionate, quasi-incestuous attachment to Rose's son, Benjy. The years shuttle by, leaving all three sisters together in old age, with widowed Rose working at the mill again, Lily watching soaps and having a hard time remembering to keep her clothes on, and June, released from the asylum, still living in a dream world. It's only Sylvie who manages to make her way out of the family tangle, marrying happily and working as a free-lance writer in San Francisco. Osborn creates a beguiling array of female voices here, and a very authentic sense of time and place. But her story is essentially undramatic, which is what keeps it from achieving the cathartic resonance of the tonally similar novels of Alice Walker. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
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