A classic work in the development of modern criticism which argues that literary criticism is essentially a branch of psychology, dealing with the states of mind induced by the experiences communicated by art.
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I.A.Richards (1893-1979) was one of the most influential literary critics of the twentieth century. He taught at the University of Cambridge from 1922 before moving to Harvard University, where, from 1944, he was Professor of English Literature.
'To us Richards was infinitely more than a brilliantly new literary critic: he was our guide, our evangelist, who revealed to us, in a succession of astounding lightning flashes, the entire expanse of the Modern World.' - Christopher Isherwood
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