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The Marriage of Heaven and Hell was created early in Blake's series of illuminated books, each of which was presented by him as an attractive work of art made entirely by his own hand. Written principally in prose, The Marriage represents Blake's first full-scale attempt to present his philosophic message. In it he expresses his extreme humanist views - Angels and Devils change places, Good becomes Evil, and Heaven becomes Hell.
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Michael Phillips is a reader in the Department of English and Related Literature, University of York. He is also the author of William Blake: The Creation of the Songs, from Manuscript to Illuminated Printing.Review:
“A leading American Blake scholar once described the prospect of editing The Marriage of Heaven and Hell as ‘a swamp filled with gators;’ Michael Phillips has navigated his way with great skill through the problems of chronology, textual unity, technique, contemporary context and significance of Blake's strikingly witty, sardonic, quirky, cryptic product of his unique combination of text and illustration in his illuminated books. As well as the facsimile of Copy B, one of the earliest of the nine known copies of the book, there are twenty-one valuable supplementary color plates of comparable pages from other copies, including a full run of Plate 14 as it occurs in the nine copies produced between 1793 to the year of his death, 1827. The detailed commentary discusses both text and illustrations, and in the case of the illustrations is most helpfully accompanied by appropriate details from Blake's designs.” — Martin Butlin, formerly Keeper of the British Collection, Tate Gallery, London, editor of the catalogue raisonne of the Complete Paintings and Drawings of William Blake
“This edition of one of Blake’s most potent and provocative books will give great pleasure both to Blake enthusiasts and to those new to his work.”
“This is an excellent scholarly edition of one of Blake’s most fascinating works, likely to become the defining text for generations to come. No one knows as much about Blake’s work in this period as Michael Phillips and he uses his knowledge of the text, its context, and Blake’s printing techniques to open up the question of what Blake thought he was doing with The Marriage of Heaven and Hell.” —John Mee
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Book Description Oxford University Press, 1975. Hardcover. Condition: New. Never used!. Seller Inventory # P110192125885
Book Description Oxford University Press, 1975. Hardcover. Condition: New. Facsimile edition. Seller Inventory # DADAX0192125885
Book Description Oxford University Press, 1975. Condition: New. book. Seller Inventory # M0192125885