This specific ISBN edition is currently not available.View all copies of this ISBN edition:
After two centures of near-total neglect, Handel's operas are now increasingly popular in the theatre, but modern productions are hampered by dependence on obsolete and inaccurate editions, and by ignorance of the musical and theatrical practice of Handel's age. Although Handel's autographs and performing scores have long been available, they have never before been fully studied, still less the very early manuscript copies. The manuscripts have yielded a great deal of unknown music, besides throwing fresh light on Handel's methods of composition and performance practice.
This book covers Handel's first seventeen surviving operas, including his greatest and most successful. Each opera has a chapter, with a full synopsis of the libretto (including all original stage directions) and a comparison with its literary and dramatic sources. Each chapter covers the history of the opera in performance and the different versions in the manuscripts. Every known surviving manuscript has been examined. Eight appendices cover all performances in Handel's time, borrowings, modern revivals, new information on his singers, and a complete index of Italian first lines in all Handel's works.
About the Authors:
Wynton Dean is the author of Handel's Dramatic Oratorios and Masques. John Merrill Knapp is Emeritus Professor of Music at Princeton University.
"synopsis" may belong to another edition of this title.
WINTON DEAN is a distinguished Handelian scholar and writer on opera. He is vice-president of the Georg-Friedrich-Handel Gesellschaft in Halle and a founding Council Member of the Handel Institute in London. JOHN MERRILL KNAPP died in 1993. He was Emeritus Professor of Music, Princeton University and the editor of two volumes of the German edition of Handel's complete works, and author of The Joy of Opera.Review:
One of the great monuments of musical scholarship of our day - a mine of information lucidly delved, sharply stimulating...a pleasure to read for its crisply expressed, infinitely discerning and above all loving responses to the works themselves. FINANCIAL TIMES This volume is a monument to the source-critical method. It is a rigorous investigation of the bewilderingly abundant musical and literary sources of each opera, and its most lasting influence will be on future editions of Handel's music. EARLY MUSIC This is a volume that every listener to or viewer of Handel's operas will want to purchase, and examine at length...Top marks for this reissue. FANFARE
"About this title" may belong to another edition of this title.
Book Description Oxford University Press, 1987. Hardcover. Condition: New. Never used!. Seller Inventory # P110193152193
Book Description Oxford University Press, 1987. Condition: New. book. Seller Inventory # M0193152193
Book Description Condition: New. New. Seller Inventory # S-0193152193