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With his essays on jazz for a variety of publications, including The Atlantic, 7 Days, and The Village Voice, Francis Davis has established himself as a major voice in jazz criticism. In the Moment, his first collection, published in 1986, won praise from both the jazz and general press. down beat called it "a collection as useful to future generations for how it captures this moment in musical evolution as for how it alters our vision now." The New York Times Book Review compared it to "a well-blown solo."
In Outcats, Davis presents a new series of critical essays, artist profiles, and pieces that skillfully combine both modes. In the 1950s, Paul Knopf, a now forgotten and even then obscure pianist, coined the word "outcat" to describe himself as "an outcast and a far-out cat combined." In using a word originally meant to convey jubilant defiance, Davis recognizes its undertones of alienation and cultural exile. Some of his subjects are outcats because of their politics, drug problems, or musical iconoclasm. But Davis defines all jazz performers--"including the most famous, influential, and housebroken"--as outcats, by virtue of the scant recognition given them by contemporary society.
Like In the Moment, Outcats is an indispensable guide to the best in recent and reissued jazz. Davis illuminates the unusual aspects of famous performers--Duke Ellington composing an opera, for example, or Miles Davis talking about his move into pop--while deftly analyzing their music. His subjects range from the mainstream to the experimental, from the familiar to the forgotten; from Frank Sinatra, Billie Holiday, and Wynton Marsalis to Cecil Taylor, John Zorn, and Sun Ra. Whether challenging the portrayal of Charlie Parker in Bird or admitting to his own fondness for the rock singer Bobby Darin, Davis writes with wit, sensitivity, and candor. As Pauline Kael describes him, "He gets at what he responds to and why--you feel you're reading an honest man."
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From Publishers Weekly:
About the Author:
Francis Davis, the author of In the Moment: Jazz in the 1980s, writes regularly about music for The Atlantic and the Philadelphia Inquirer. His work also appears in a variety of other publications, including The Village Voice and Rolling Stone.
Composers Duke Ellington, Gil Evans and Cecil Taylor, instrumentalists Miles Davis, Wynton Marsalis and Lester Young, singers Ella Fitzgerald, Billie Holiday and Frank Sinatra, political satirist Mort Sahl are among the stars discussed here, along with hotter new figures. Although he regards all jazz performers--and listeners--as outcats (outcasts/far-out cats) and focuses on their cultural exile, Davis ( In the Moment ) deals with them on a case-by-case basis in these 37 profiles, critical essays and mixed-mode pieces on individuals, combos, movements, issues and events from 1986-1989. With originality, a perceptive commentator freshly analyzes both new and forgotten aspects of jazz performance.
Copyright 1990 Reed Business Information, Inc.
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Book Description Oxford University Press, 1990. Hardcover. Condition: New. Never used!. Seller Inventory # P11019505587X
Book Description Oxford University Press, USA, 1990. Hardcover. Condition: New. Seller Inventory # DADAX019505587X
Book Description Oxford University Press, 1990. Condition: New. book. Seller Inventory # M019505587X