In 1953, Mary McCarthy published an article in Harper's entitled "Artists in Uniform" telling the story of a woman who encountered an anti-Semitic colonel on a train. Readers approached the tale as fiction, finding symbolic meaning in everything from what the Colonel ate to the clothes the woman wore. Soon after its appearance, McCarthy wrote a sequel called "Settling the Colonel's Hash" in which she explained that "there were no symbols in this story; no deeper level": it had been simply a fragment of memoir. But critics immediately took issue with McCarthy's assumption that two literary arenas exist--that there is a clear difference between autobiographical and fictional narrative--and the incident has become a classic illustration of the fascinating and nebulous borderlands that lie between fact and fiction.
From the experiments of Hutchins Hapgood, W.E.B. Du Bois, James Agee, and Joe Mitchell to the challenges posed by the New Journalists and contemporary literary journalists such as John McPhee, this collection explores the fine line between fiction and nonfiction from both historical and critical perspectives. What motives led Ernest Hemingway to return to extended narrative nonfiction after becoming a successful novelist? Why did John Steinbeck write The Grapes of Wrath as a novel rather than a work of journalism? How does the "plain style" of writers like Swift, Defoe, and Orwell affect the reader's sense of what is true and what is "made up"? In what way does the Mary McCarthy episode illuminate the ways in which we approach fiction and nonfiction? Raising a wealth of intriguing questions, Literary Journalism in the Twentieth Century offers a forum for discussion, involving the reader in what becomes an active definition of literary journalism. The book assembles essays by such well-known critics as Tom Connery, Ron Weber, William Howarth, Norman Sims, John Pauly, Shelley Fisher Fishkin, Hugh Kenner, David Eason, Kathy Smith, and Darrel Mansell. Lively and unique, Literary Journalism in the Twentieth Century concerns the very essence of literature itself, showing how writers have reshaped styles to permit passage across the borders between fact and fiction, in the process investigating what these borders might be, and if they exist at all.
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This book offers a forum for discussion, involving the reader in what becomes an active definition of literary journalism...Lively and readable, it also concerns the very essence of literature itself, showing how writers have reshaped styles to permit passages across the borders between fact and fiction, in the process investigating what these borders might be, and if they exist at all.About the Author:
Norman H. Sims is a professor of journalism at the University of Massachusetts, Amherst, the editor of The Literary Journalists, the author of True Stories, and the coeditor with Mark Kramer of Literary Journalism. He lives in Deerfield, Massechusetts.
John C. Hartsock is an associate professor of communication studies at the State University of New York at Cortland and the author of A History of American Literary Journalism: The Emergence of a Modern Narrative Form.
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Book Description Oxford University Press, 1990. Paperback. Book Condition: New. book. Bookseller Inventory # M0195059654
Book Description Oxford University Press, USA, 1990. Paperback. Book Condition: New. Bookseller Inventory # DADAX0195059654
Book Description Oxford University Press, 1990. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110195059654
Book Description Oxford University Press. PAPERBACK. Book Condition: New. 0195059654 New Condition. Bookseller Inventory # NEW7.0973383