Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts.
In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field?
The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition.
"synopsis" may belong to another edition of this title.
Gregory F. Barz and Timothy J. Cooley are both at Brown University.
"Shadows in the Field should be required reading in all such courses because the essays represent a sustained effort by ethnomusicologists to grapple with experimental and representational issues that are central to contemporary research and writing practices in the discipline....a welcome--and essential--addition to the ethnomusicology syllabus and bookshelf."--Ethnomusicology
"About this title" may belong to another edition of this title.
US$ 4.97 shipping within U.S.A.
Destination, rates & speedsSeller: Sequitur Books, Boonsboro, MD, U.S.A.
Hardcover. Condition: Very Good. Hardcover. No dust jacket. Good binding and cover. Shelf wear. Edge bumped. Clean, unmarked pages. This work, written by ethnomusicologists, considers fieldwork as an issue-laden practice, rather than as a methodology requiring a prescriptive manual. The contributors to this volume challenge the notion of fieldwork: its goals, the nature of knowledge gained in fieldwork and the place of fieldwork in historical studies. The book ranges widely through the history of the discipline of ethnomusicology and the key theoretical issues to be addressed including ethics, politics, gender and relations with the people studied in the contemporary fieldwork environment. It represents the most significant aspects of the new ethnography, shifting the balance away from the data-collecting model of fieldwork toward an approach that is reflexive, humanistic and experiential. Seller Inventory # 1904160026
Quantity: 1 available
Seller: Labyrinth Books, Princeton, NJ, U.S.A.
Condition: Acceptable. Seller Inventory # 248137
Quantity: 1 available
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-F-007-02159
Quantity: 1 available
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 256. Seller Inventory # 262265470
Quantity: 1 available
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 256. Seller Inventory # 5582497
Quantity: 1 available
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 256. Seller Inventory # 182265460
Quantity: 1 available