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If any one writer stands at the heart of American literature it is Mark Twain. With his wild head of hair, thick mustache, and brilliant white suit, he is more recognizable than any living writer, and in his time he was, as he himself put it, "the most conspicuous person on the planet." He is certainly America's most popular writer--arguably the most popular American writer the world over--and the greatest humorist we have ever known, a marvelous teller of tall tales, a genial entertainer, a consistently quotable sage. He is also one of our finest satirists, who penned withering attacks on hypocrisy and corruption (he once said he wrote with "a pen warmed up in hell") and in his most serious works, such as Huckleberry Finn and Pudd'nhead Wilson, he cast a profound light on the darkest recesses of the nation's psyche.
The twenty-nine-volume Oxford Mark Twain is a major literary event. In addition to gathering together a superb collection of Twain's works, editor Shelley Fisher Fishkin has commissioned some of our most eminent living writers to introduce each volume with their personal insights and experiences of Twain. Readers will find, for instance, Toni Morrison reflecting on Huckleberry Finn, Kurt Vonnegut on Connecticut Yankee, Arthur Miller on Twain's Autobiography, Roy Blount Jr. on The Celebrated Jumping Frog of Calaveras County, E.L. Doctorow on Tom Sawyer, Willie Morris on Life on the Mississippi, Garry Wills on Christian Science, and Cynthia Ozick on The Man that Corrupted Hadleyburg and Other Stories and Essays. Other writers include Gore Vidal, Ursula K. Le Guin, George Plimpton, Ward Just, Russell Banks, Bobbie Ann Mason, Malcolm Bradbury, Nat Hentoff, Sherley Anne Williams, Justin Kaplan, Walter Mosley, Erica Jong, Judith Martin ("Miss Manners"), David Bradley, Frederick Pohl, Mordecai Richler, Lee Smith, Anne Bernays, Charles Johnson, Fred Busch, and actor Hal Holbrook (who introduces Twain's collected speeches). And each volume includes an afterword by a noted scholar--such as Louis J. Budd, Victor A. Doyno, Leslie A. Fiedler, James A. Miller, Linda Wagner-Martin, Forrest Robinson, M. Thomas Inge, Fred Kaplan, Susan Harris, and David L. Smith--who place the work in the context of Twain's career and the literary and social climate of the time. In effect, the set gathers together an American literary who's who, all of whom reflect on what Mark Twain's work means to them as writers and scholars, and what he means to our literary history and to our culture as a whole. Taken together, these introductions and afterwords provide a major reevaluation of Twain, allowing readers to see his work in fresh ways.
But of course the most important thing is the work itself. Here is the full range of Twain's remarkably prolific career, including The Celebrated Jumping Frog of Calaveras County, The Innocents Abroad, Roughing It, The Adventures of Tom Sawyer, A Tramp Abroad, The Prince and the Pauper, Life on the Mississippi, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, The Tragedy of Pudd'nhead Wilson, The Man that Corrupted Hadleyburg, The Million Pound Banknote, Following the Equator, and Extracts from Captain Stormfield's Visit to Heaven. Readers will find freewheeling parodies and burlesques, Twain's inimitable travel pieces, rich and complex portraits of childhood along the Mississippi, ghost stories and detective stories, irreverent lampoons of corrupt politicians, dark ruminations on the nature of humanity, and sharp-tongued editorials on the events of his day (such as Belgian imperialism in Africa or anti-Semitism in Vienna). Many of the works included here--such as Sketches, New and Old, A Tramp Abroad, The American Claimant, Is Shakespeare Dead? and Joan of Arc--have not been readily available for decades.
Equally important, The Oxford Mark Twain is a facsimile of the first American editions of Twain's work, and includes all the original illustrations, some of which were drawn by Twain himself, and many of which have not been seen since these editions went out of print. Moreover, in each volume containing art, Fishkin has commissioned an essay on that volume's illustrations and the artists responsible. Captivating in themselves, these illustrations add an extra dimension to the narratives that has been missing for a hundred years. Each volume also includes, as its frontispiece, a specially selected photo of Twain around the age he was when he wrote the book at hand.
The Oxford Mark Twain is an unprecedented undertaking and a cause for celebration. Colorful, irreverent, romantic, skeptical, a master of comic asides, a bittersweet humorist, and an unflinching critic of human pretensions, Mark Twain speaks to us across time with verve and wisdom. Combining the works themselves, reflections on Twain by some of our leading writers and scholars, and the original illustrations--all at a very affordable price--this superb twenty-nine-volume set will be treasured by everyone.
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About the Editor:
Shelley Fisher Fishkin is Professor of American Studies and of English at the University of Texas, at Austin. She is the author of the highly acclaimed study Was Huck Black?: Mark Twain and African-American Voices and the award-winning book From Fact to Fiction: Journalism & Imaginative Writing in America.
Reviews of the Hardback Edition:
"The mammoth new Oxford Mark Twain collection makes a big and valuable splash in the already teeming sea of Twain publishing. These 29 hardback volumes, facsimile editions of works published during Twain's lifetime, make much of his vast oeuvre available to the modern reader in something fairly close to how it looked to his contemporaries."--Salon
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Book Description Oxford University Press, 1997. Hardcover. Condition: Fine. The signed limited edition of this 29 volume set; one of 300 sets printed. These volumes were created as facsimiles of the first edition, at least in their pages, presenting Twain to the contemporary world with the same look that he first appeared in his own time. Note that the publisher did not try to reproduce the original elaborately decorated covers, reportedly because of the cost involved in doing so, and because of the aim of presenting an otherwise uniform set. EACH VOLUME is signed by the authors of that volume's Introduction (a noted literary figure) and Afterword (a noted Twain scholar). The individual volumes are signed by: 1. Shelly Fisher Fishkin (series editor), ROY BLOUT Jr. (introduction) & Richard Bucci (afterword); 2. MORDECAI RICHLER and David E.E. Sloane; 3. GEORGE PLIMPTON & Henry Wonham; 4. WARD JUST & Gregg Camfield; 5. LEE SMITH & Sherwood Cummings; 6. E.L. DOCTOROW & Albert E. Stone; 7. RUSSELL BANKS & James S. Leonard; 8. JUDITH MARTIN & Everett Emerson; 9. WILLIE MORRIS & Lawrence Howe; 10. TONI MORRISON & Victor A. Doyno; 11. KURT VONNEGUT & Louis J. Budd; 12. ANNE BERNAYS & Forrest G. Robinson; 3. BOBBIE ANN MASON & Peter Messent; 14. MALCOLM BRADBURY & James D. Wilson; 15. NAT HENTOFF & M. Thomas Inge; 16. SHIRLEY ANNE WILLIAMS & David Lionel Smith; 17. JUSTIN KAPLAN & Susan K. Harris; 18. WALTER MOSLEY & Lillian S. Robinson; 19. DAVID BRADLEY & Pascal Covici, Jr.; 20. GORE VIDAL & Fred Kaplan; 21. CYNTHIA OZICK & Jeffrey Rubin-Dorsky; 22. URSULA K. LE GUIN & Laura E. Skandera-Trombley; 23. CHARLES JOHNSON & Linda Wagner-Martin; 24. FREDERICK BUSCH & Judith Yaross Lee; 25. GARRY WILLS & Hamlin Hill; 26. ARTHUR MILLER & Michael J. Kiskis; 27. ERICA JONG & Leslie A. Fielder; 28. FREDERIK POHL & James A. Miller; 29. HAL HOLBROOK & David Barrow. This set is fine in fine dust jackets in the original box. A massive production, and beautifully executed, with original contributions by some of the best writers of our time. Very scarce now. SHIPS from Eugene, Oregon, USA. Due to the size and weight of this set, INTERNATIONAL ORDERS are discouraged and would require massive additional postage, albeit at prevailing USPS rates. Signed by Author(s). Seller Inventory # ABE-1486752774868