African American Performance and Theater History: A Critical Reader

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9780195127256: African American Performance and Theater History: A Critical Reader

African American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two esteemed scholars in black theater, Harry J. Elam, Jr. and David Krasner, and composed of essays from acknowledged authorities in the field, this anthology is organized into four sections representative of the ways black theater, drama, and performance interact and enact continual social, cultural, and political dialogues. Ranging from a discussion of dramatic performances of Uncle Tom's Cabin to the Black Art Movement of the 1960s and early 1970s, articles gathered in the first section, "Social Protest and the Politics of Representation," discuss the ways in which African American theater and performance have operated as social weapons and tools of protest. The second section of the volume, "Cultural Traditions, Cultural Memory and Performance," features, among other essays, Joseph Roach's chronicle of the slave performances at Congo Square in New Orleans and Henry Louis Gates, Jr.'s critique of August Wilson's cultural polemics. "Intersections of Race and Gender," the third section, includes analyses of the intersections of race and gender on the minstrel stage, the plight of black female choreographers at the inception of Modern Dance, and contemporary representations of black homosexuality by PomoAfro Homo. Using theories of performance and performativity, articles in the fourth section, "African American Performativity and the Performance of Race," probe into the ways blackness and racial identity have been constructed in and through performance. The final section is a round-table assessment of the past and present state of African American Theater and Performance Studies by some of the leading senior scholars in the field-James V. Hatch, Sandra L. Richards, and Margaret B. Wilkerson. Revealing the dynamic relationship between race an

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Harry J. Elam, Jr. is Christensen Professor for the Humanities, Director of the Introduction to the Humanities, Director of Graduate Studies for Drama, and Director of the Committee on Black Performing Arts at Stanford University. David Krasner is Director of Undergraduate Theater Studies at Yale University, where he teaches theater history, acting, and directing. His book, Resistance, Parody, and Double Consciousness in African-American Theatre 1895-1910, won the Errol Hill award from ASTR.

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Book Description Oxford University Press Inc, United States, 2001. Paperback. Book Condition: New. 234 x 155 mm. Language: English . Brand New Book ***** Print on Demand *****. African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre. Bookseller Inventory # AAV9780195127256

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Book Description Oxford University Press Inc, United States, 2001. Paperback. Book Condition: New. 234 x 155 mm. Language: English . Brand New Book ***** Print on Demand *****.African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre. Bookseller Inventory # AAV9780195127256

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