Through a unique and stunning collection of paintings, sculpture, rare books, and works on paper, Divine Mirrors examines the complex relationship between sacred imagery and secular identity in the art of the Madonna.
This magnificent work--born from a multi-year project that included a museum exhibition, scholarly symposium, and reinstallation of a segment of the permanent collection of the Davis Museum and Cultural Center at Wellesley College--features the work of such renowned artists as Il Pintoricchio, Mantegna, Munch, and Léger, alongside fresh, undiscovered masters and little-known works of art. The book's fifty catalogue entries range from a rare thirteenth-century panel painting to a specially commissioned artwork exploring the intersection of religion and modern life.
This volume investigates everything from non-Western perceptions of European religious practices to the Virgin Mary's voice in musical composition. In the opening essay "The Many Names of the Mother of God" noted scholar Robert A. Orsi considers why images of Mary offer contemporary Americans such a powerful visual experience. Unlike paintings and sculptures created solely for aesthetic contemplation, Orsi writes, images of Mary are more than just artistic representations--they become for us an embodiment of the Virgin Mother herself. Then, moving into the historical realm, editor Melissa R. Katz guides us on a twenty-century chronological tour that explores the intersection of art history and world history in representations of Mary.
Katz's essay "Regarding Mary: Women's Lives Reflected in the Virgin's Image" takes the elements of Marian iconography most relevant to the study of art and weaves them together to provide a guide for modern audiences to engage with the religious origins of our common artistic legacy. Filled with fascinating information, this important work requires no particular background in art history, religion, or the Bible. Readers of all levels will be rewarded with an in-depth encounter of a remarkable and complex figure.
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From Library Journal:
Melissa R. Katz is Curator of European Art at the Davis Museum and Cultural Center at Wellesley College. Robert A. Orsi is Professor of Religion at Indiana University and author of The Madonna of 115th Street and Gods and the City.
From the beginning of Christianity, probably no subject has been interpreted and reinterpreted as often as the Virgin Mary except perhaps her son. This catalog documents an exhibit at the Davis Art Museum at Wellesley College, which explores the importance of Mary as a concept and image for the previous 2000 years and features paintings by artists such as Pintoricchio and Munch, as well as many lesser-known works. Katz (assistant curator, Davis Museum) and Orsi (American religious history, Harvard Divinity Sch.; The Madonna of 115th Street) provide several essays, discussing a range of topics, from our contemporary view of Mary and the passions she arouses to the major visual categories of the Annunciation, the Nativity, the Holy Family, and the Coronation. The exhibit's 50 works are reproduced in color, and a total of 177 figures, mostly in black and white, illustrate the catalog and essays. As much sociological as art historical, this scholarly book attempts to bridge the sacred imagery with secular culture. Recommended for large public libraries, and for museum and university art book collections. Ellen Bates, New York
Copyright 2001 Reed Business Information, Inc.
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Book Description Oxford University Press, 2001. Paperback. Book Condition: New. book. Bookseller Inventory # M0195145585
Book Description Oxford University Press, USA, 2001. Paperback. Book Condition: New. Bookseller Inventory # DADAX0195145585
Book Description Oxford University Press, 2001. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110195145585
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