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The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important new book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music.
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Paul Badura-Skoda's text conveys a passion for an informed interpretation of Bach's music based upon a recognition and respect for Bach's musical and intellectual intentions. Copiously illustrated throughout with music examples, Interpreting Bach at the Keyboard will take its place as a standard work for all students and performers of Bach's keyboard music.About the Author:
Professor Paul Badura-Skoda is a pianist and scholar.
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Book Description Oxford University ( Clarendon ) Press, Oxford, 1995. Soft Cover. Condition: Very Good. Music Score (illustrator). First Paperback Edition. FIRST PAPERBACK EDITION. OXFORD : 1995. [ Clarendon Paperbacks. First published in 1993. Translation of: 'Bach-Interpretation'.]. Blue-green pictorial covers. Bright, tight and clean. No owner name or internal markings. Minor wear only (crease to front cover). VERY GOOD. (xvi), 573 pages. 5 Appendices. Bibliography. Indexes. CONTENTS: Part. I. General Problems of Interpretation. 1. An Authentic Eighteenth-Century Performance Source: C.F. Colt's Organ-Barrels. 2. Studies in Rhythm. 3. In Search of the Correct Bach Tempo. 4. Bach's Articulation. 5. Dynamics. 6. Problems of Sonority. 7. Problems of Harpsichord and Piano Technique, and of Expressive Playing. 8. The Urtext Problem: An Imaginary Interview. 9. Rendering the Structure as a Whole. 10. Prelude in E flat minor and Fugue in D sharp minor, WTC I, BWV 853. An Analysis for Performance -- Part. II. Studies in Ornamentation. 11. Introduction. 12. The Development of Ornamentation in the Seventeenth and Eighteenth Centuries. 13. J.S. Bach's Ornaments: Some General Remarks. 14. Pralltriller. 15. Appoggiaturas. 16. The Longer Trill. 17. Bach's Mordent. 18. Arpeggios. 19. The Application of Ornaments that are not Notated. 20. Free Embellishments in Bach's Keyboard Works. Appendix 1. Some Recommended Editions of Bach's Keyboard Works -- Appendix 2. Some Textual and Interpretational Problems in Bach's Chromatic Fantasia and Fugue, BWV 903 -- Appendix 3. J.M. Gesner, 'Johann Sebastian Bach as Conductor, Keyboard Player, and Organist' (Gottingen, 1738) -- Appendix 4. Excerpt from the Article 'Takt' in J.G. Sulzer's Allgemeine Theorie der schonen Kunste, vol. ii (Leipzig, 1774) -- Appendix 5. The Dedication of Partita No. 1 (BWV 825) and the Dedicatory Poem. Lg.8vo. **Will be well-packed for posting/shipping**. [ Rosley Books for Antiquarian books, C.H.S., Cumberland, Everyman, G. K. C., Keswick, Inklings, Literature, MacDonald, Rarities, Theology and History. ] Size: Large Octavo. Seller Inventory # 0042653
Book Description Oxford University Press, 1993. Hardcover. Condition: Very Good. 0198161557 Badura-Skoda, Paul. Interpreting Bach at the Keyboard. Clayton (translator), Alfred. Oxford: Oxford University Press, 1993. First edition. xvi, 573pp. Indexed. Illustrated. Bibliography. 8vo. Navy cloth with gilt lettering on spine. Book condition: Very good with light bumping to foot of spine and faint rubbing to bottom edge of rear cover. Light spotting to edges of text block. Dust Jacket Condition: Very good with lightly rubbed and bumped edges and faint rubbing to rear panel. Half inch closed tear in bottom edge at fold between front panel and flap. Flaps faintly yellow. In plastic protector. Paul Badura-Skoda has been studying and performing Bach's keyboard music for more than 40 years. He presents new insights drawn from his deep knowledge of the sources and of the problems of interpretation. Seller Inventory # RBADINT00MEL
Book Description Oxford University Press, 1993. Hardcover. Condition: GOOD. Has little wear to the cover and pages. Contains some markings such as highlighting and writing. Supplemental materials are not guaranteed with any used book purchases. Seller Inventory # 0198161557_abe_gd
Book Description Oxford University Press, 1993. Hardcover. Condition: VERY GOOD. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. Supplemental materials are not guaranteed with any used book purchases. Seller Inventory # 0198161557_abe_vg
Book Description Oxford University Press, 1993. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 0198161557-2-4
Book Description Oxford University Press, USA, 1993. Hardcover. Condition: Good. Seller Inventory # SONG0198161557
Book Description Oxford University Press, 1993. Hardcover. Condition: Good. Ex-library copy with usual markings. Pages are clean and intact. Seller Inventory # mon0002162583