Once considered as little more than the froth in the wake of the First World War, a witty boy-hedonist who, in the giddy Twenties, tweaked the noses of moribund establishmentarians, Poulenc has in fact proved unexpectedly durable--more so than any of his colleagues among Les Six, including those who developed more grandiose ambitions. Here is a survey of Poulenc's music, based on careful selection of his works, and written by an authoritative guide. After placing Poulenc in the context of French life and society after the First World War and considering him in relation to his masters and mentors, especially Satie and Chabrier, Mellers turns to Poulenc's Diaghilev ballet, Les Biches, to important sequels to it, such as Concert champêtre and Aubade, and to works of transition, such as the Concerto for two pianos and orchestra. The next section discusses the "social" music of Poulenc's middle years--especially the music for piano (for Poulenc a domestic instrument), written during the Thirties, and the centrality of song in his work; some account is offered of his relationship with his main poets, Guillaume Apollinaire, Paul Eluard, and Louise de Vilmorin. Mellers next considers the impact on Poulenc of the Second World War, especially as manifest in the great choral work Quatre Motets de Pénitence and the Organ Concerto. Adopting a broadly chronological approach, Mellers traces Poulenc's development as a composer from enfant terrible to a mature composer both for secular society and for the liturgy of the Catholic Church; in so doing he points to the reasons for the durability and pertinacity of his appeal. Mellers further assesses Poulenc's place in the French tradition, and, in a Postlude, pays tribute to the warm regard with which Poulenc was held by so many of his fellow musicians.
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He is author of many books including Percy Grainger OSC (OUP, 1992); Bach and the Dance of God (1980); Beethoven and the Voice of God (1684); Music in a New Found Land (1987); Man and his Music (1987); Francois Couperin (1987); Vaughan Williams and the Vision of Albion (1988)
"A gem....Written in a lively style intended to enhance listening enjoyment of the compositions....This volume will be a pleasure to anyone, from general reader to specialist."--Choice
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Seller: DogStar Books, Lancaster, PA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. Oxford Studies Of Composers; Musical Notation; 8vo 8" - 9" tall; 208 pages; 1993 Oxford University Press. HC/DJ. 1st edition, 1st printing. Snugly bound and very neat in crisp edged and uniformly bright pictorial dust jacket. Feels and appears generally unread; no marks of any kind. Rear jacket flap has a shallow stress crease top corner; hint of shelf evidence to jacket edges. Examples of musical notation throughout. NF/VG++. Seller Inventory # 47623
Seller: Gareth Roberts, Rhydcymerau, Llandeilo, CARMS, United Kingdom
Hardcover. Condition: Good. Dust Jacket Condition: Good. ex library hardback with DJ, usual stamps/markings. 1993 publication byOxford University Press. A good, clean copy. Ready for immediate despatch from UK. BS-5A*. Seller Inventory # FBA-11568
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Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0198163371. Seller Inventory # 9916610
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