McGinn's latest brings together moral philosophy and literary analysis in a way that illuminates both. Setting out to enrich the domain of moral reflection by showing the value of literary texts as sources of moral illumination, McGinn starts by setting out an uncompromisingly realist ethical theory, arguing that morality is an area of objective truth and genuine knowledge. He goes on to address such subjects as the nature of goodness, evil character, and the meaning of monstrosity in the context of an aesthetic theory of virtue, which maintains that goodness of character is the same thing as beauty of soul. Looking at such literary works as Billy Budd, Lolita, The Picture of Dorian Gray, and Frankenstein, as well as examples from film and painting, Ethics, Evil, and Fiction is an original and compelling book by a leading philosopher who is also a critic and novelist.
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Colin McGinn is Professor of Philosophy at Rutgers, the State University of New Jersey. He was previously Wilde Reader in Mental Philosophy at the University of Oxford, and before that Reader in Philosophy at University College London. His books include The Character of Mind (1981; second edition 1997), The Subjective View (1982), Mental Content (1989), The Problem of Consciousness (1991), and Problems in Philosophy (1993).
Ethics, Evil, and Fiction brings together moral philosophy and literary analysis in a way that offers original new insights for both.Its central aim is to enrich the domain of moral reflection, by showing the value of literary texts as sources of moral illumination. Colin McGinn starts by setting out an uncompromisingly realist ethical theory, arguing that morality is an area of objective truth and genuine knowledge. He goes on to address such subjects as the nature of goodness, evil character, and the meaning of monstrosity, in the context of an aesthetic theory of virtue, which maintains that goodness of character is the same thing as beauty of soul.
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