Brecht and Political Theatre: The Mother on Stage (Oxford Modern Languages and Literature Monographs)

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9780199286584: Brecht and Political Theatre: The Mother on Stage (Oxford Modern Languages and Literature Monographs)

This production history of The Mother provides substantial new insights into Bertolt Brecht's theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republic, during his exile, and in the GDR, The Mother offers a unique opportunity to compare his theatrical practice in contrasting settings and at different points in his career. Through detailed analysis of original archival evidence, Bradley shows how Brecht became far more sensitive to his spectators' political views and cultural expectations, even making major tactical concessions in his 1951 production at the Berliner Ensemble. These compromises indicate that his "mature" staging should not be regarded as definitive, for it was tailored to a unique and delicate situation.

The Mother has appealed strongly to politically committed theatre practitioners both in and beyond Germany. By exploiting the text's generic hybridity and the interplay between Brecht's "epic" and "dramatic" elements, directors have interpreted it in radically different ways. So although Brecht's 1951 production stagnated into an affirmative GDR heritage piece, post-Brechtian directors have used The Mother to promote their own political and theatrical concerns, from anti-authoritarian theatre to reflections on the legacies of state Socialism. Their ideological and theatrical subversion have helped Brecht's text to outlive the political system that it came to uphold.

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About the Author:


Laura Bradley studied as an undergraduate and postgraduate at St Edmund Hall, Oxford. She then held a Junior Research Fellowship at Merton College, Oxford. She is now a Lecturer in German at the University of Edinburgh.

Review:

This meticulously researched account of the staging and reception of Brecht's Die Mutter covering a period of seven decades is the first monograph on the play in any language...a densely argued and rewarding survey. * J.J. White, MLR, 103.1 * [An] impressive work. * Forum For Modern Language Studies, Vol. 43, No. 3 * Laura Bradley's Brecht and Political Theatre demonstrates convincingly and compellingly that this lesser known work merits the attention that she most assiduously devotes to it. Bradley's book has several aims, all of which she competently accomplishes. * Clare Finburgh, The Review of English Studies * meticulous original research * Anselm Heinrich NTQ * This meticulously researched and informative book will be a boon for theater practitioners. It should also serve as a model for performance histories of other Brect plays. * Helen Fehervary Brecht, Yearbook *

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Book Description Oxford University Press, United Kingdom, 2006. Hardback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****. This production history of The Mother provides substantial new insights into Bertolt Brecht s theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republic, during his exile, and in the GDR, The Mother offers a unique opportunity to compare his theatrical practice in contrasting settings and at different points in his career. Through detailed analysis of original archival evidence, Bradley shows how Brecht became far more sensitive to his spectators political views and cultural expectations, even making major tactical concessions in his 1951 production at the Berliner Ensemble. These compromises indicate that his mature staging should not be regarded as definitive, for it was tailored to a unique and delicate situation. The Mother has appealed strongly to politically committed theatre practitioners both in and beyond Germany. By exploiting the text s generic hybridity and the interplay between Brecht s epic and dramatic elements, directors have interpreted it in radically different ways. So although Brecht s 1951 production stagnated into an affirmative GDR heritage piece, post-Brechtian directors have used The Mother to promote their own political and theatrical concerns, from anti-authoritarian theatre to reflections on the legacies of state Socialism. Their ideological and theatrical subversion have helped Brecht s text to outlive the political system that it came to uphold. Bookseller Inventory # APC9780199286584

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Book Description Oxford University Press, United Kingdom, 2006. Hardback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****.This production history of The Mother provides substantial new insights into Bertolt Brecht s theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republic, during his exile, and in the GDR, The Mother offers a unique opportunity to compare his theatrical practice in contrasting settings and at different points in his career. Through detailed analysis of original archival evidence, Bradley shows how Brecht became far more sensitive to his spectators political views and cultural expectations, even making major tactical concessions in his 1951 production at the Berliner Ensemble. These compromises indicate that his mature staging should not be regarded as definitive, for it was tailored to a unique and delicate situation. The Mother has appealed strongly to politically committed theatre practitioners both in and beyond Germany. By exploiting the text s generic hybridity and the interplay between Brecht s epic and dramatic elements, directors have interpreted it in radically different ways. So although Brecht s 1951 production stagnated into an affirmative GDR heritage piece, post-Brechtian directors have used The Mother to promote their own political and theatrical concerns, from anti-authoritarian theatre to reflections on the legacies of state Socialism. Their ideological and theatrical subversion have helped Brecht s text to outlive the political system that it came to uphold. Bookseller Inventory # APC9780199286584

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Book Description Oxford University Press. Hardcover. Book Condition: New. Hardcover. 280 pages. Dimensions: 8.6in. x 5.5in. x 0.9in.This production history of The Mother provides substantial new insights into Bertolt Brechts theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republic, during his exile, and in the GDR, The Mother offers a unique opportunity to compare his theatrical practice in contrasting settings and at different points in his career. Through detailed analysis of original archival evidence, Bradley shows how Brecht became far more sensitive to his spectators political views and cultural expectations, even making major tactical concessions in his 1951 production at the Berliner Ensemble. These compromises indicate that his mature staging should not be regarded as definitive, for it was tailored to a unique and delicate situation. The Mother has appealed strongly to politically committed theatre practitioners both in and beyond Germany. By exploiting the texts generic hybridity and the interplay between Brechts epic and dramatic elements, directors have interpreted it in radically different ways. So although Brechts 1951 production stagnated into an affirmative GDR heritage piece, post-Brechtian directors have used The Mother to promote their own political and theatrical concerns, from anti-authoritarian theatre to reflections on the legacies of state Socialism. Their ideological and theatrical subversion have helped Brechts text to outlive the political system that it came to uphold. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Bookseller Inventory # 9780199286584

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