Shakespeare and Literary Theory (Oxford Shakespeare Topics)

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9780199573387: Shakespeare and Literary Theory (Oxford Shakespeare Topics)

How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Zizek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Helene Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aime Cesaire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.

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About the Author:


Jonathan Gil Harris is Professor of English at George Washington University. He is the author of Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England (Cambridge, 1998), Sick Economies: Drama, Mercantilism and Disease in Shakespeare's England (U Penn P, 2004), and Untimely Matter in the Time of Shakespeare (U Penn P 2008). He is also the editor of Staged Properties in Early Modern English Drama (co-edited with Natasha Koarda, Cambridge 2002) and Thomas Dekker's The Shoemaker's Holiday (New Mermaids, 2008). Professor Harris serves as associate editor of Shakespeare Quarterly.

Review:


"Should be widely used." --Studies in English Literature, 1500-1900


"Harris provides lucid and engaging summaries of the theoretical perspectives and the ways they have entered into conversation with Shakespeare. Shakespeare and Literary Theory is perfectly suited for anyone looking for an accessible introduction to contemporary literary theory that also provides illuminating examples of the application of those theories."--Sixteenth Century Journal


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Book Description Oxford University Press, United Kingdom, 2010. Paperback. Book Condition: New. Language: English . Brand New Book. OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida , or that the Slovenian psychoanalytic theorist Slavoj Zizek can observe that Shakespeare without doubt had read Lacan ? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare s texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call Shakespearian theory : theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault s early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida s deconstructive philosophy is articulated in dialogue with Shakespeare s plays, including Romeo and Juliet; French feminism s best-known essay is Helene Cixous s meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick s reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aime Cesaire s revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance. Bookseller Inventory # AAU9780199573387

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Book Description Oxford University Press, United Kingdom, 2010. Paperback. Book Condition: New. Language: English . Brand New Book. OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida , or that the Slovenian psychoanalytic theorist Slavoj Zizek can observe that Shakespeare without doubt had read Lacan ? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare s texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call Shakespearian theory : theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault s early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida s deconstructive philosophy is articulated in dialogue with Shakespeare s plays, including Romeo and Juliet; French feminism s best-known essay is Helene Cixous s meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick s reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aime Cesaire s revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance. Bookseller Inventory # AAU9780199573387

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Book Description Oxford University Press, 2010. Book Condition: New. 2010. 1st Edition. Paperback. Discussing the work of Karl Marx, Sigmund Freud, Michel Foucault, Jacques Derrida, and Helene Cixous, Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. Series: Oxford Shakespeare Topics. Num Pages: 240 pages. BIC Classification: DDS; DSA; HP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 201 x 133 x 13. Weight in Grams: 276. . . . . . . Bookseller Inventory # V9780199573387

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Book Description Oxford University Press. Book Condition: New. 2010. 1st Edition. Paperback. Discussing the work of Karl Marx, Sigmund Freud, Michel Foucault, Jacques Derrida, and Helene Cixous, Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. Series: Oxford Shakespeare Topics. Num Pages: 240 pages. BIC Classification: DDS; DSA; HP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 201 x 133 x 13. Weight in Grams: 276. . . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780199573387

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