Conscience and the Composition of Piers Plowman (Oxford English Monographs)

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9780199653768: Conscience and the Composition of Piers Plowman (Oxford English Monographs)

Conscience and the Composition of Piers Plowman provides a detailed account of one of the central personified figures in William Langland's Piers Plowman. Previous critical accounts of Conscience either focus on discussions of the faculty conscience in scholastic discourse, or eschew personification allegory as a useful category in order to argue for the figure's development or education as a character during the poem. But Conscience only appears to develop as he is re-presented, in the course of Piers Plowman, within a series of different literary modes. And he changes not only during the composition of the various episodes in different modes that make up the single version, but also during the composition of the poem as a series of three different versions. The versions of Piers Plowman form, this book argues, a single continuous narrative or argument, in which revisions to Conscience's role in one version are predicated upon his cumulative 'experiences' in the earlier versions. Drawing on a variety of materials in both Middle English and Latin, Sarah Wood illustrates the wide range of contemporary discourses Langland employed as he composed Conscience in the three versions of the poem. By showing how Langland transformed Conscience as he composed the A, B and C texts, Conscience and the Composition of Piers Plowman offers a new approach to reading the serial versions of the poem. While the versions of Piers Plowman have customarily been presented and read in parallel-text formats, Wood shows that Langland's revisions are newly comprehensible if the three versions are read in sequence.

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Sarah Wood completed her Masters and D.Phil. at Lady Margaret Hall, Oxford. She currently teaches Old and Middle English literature at University College London.

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Wood, Sarah
Published by Oxford: Oxford University Press, (2012)
ISBN 10: 0199653763 ISBN 13: 9780199653768
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Book Description Oxford: Oxford University Press, 2012. Hardcover. Book Condition: New. Dust Jacket Condition: New. Contents: 'Who may scape te sclaundre': Scandal, complaint and invective in B 3-4 -- Penitential texts and vernacular Conscience in B 13-14 -- 'Ecce rex': Conscience and homiletic discourse in B 19 -- 'To a lord for a lettre leue to haue': Conscience and the friars in B 20 -- New modes in the C text: Clerical suffraunce' and vernacular counsel -- Conscience in the versions of Piers Plowman. xii, 187 pp. [ISBN: 978-0199653768] Hardbound in dustwrapper. A NEW COPY. Bookseller Inventory # 30629

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Book Description Oxford University Press, United Kingdom, 2012. Hardback. Book Condition: New. 226 x 145 mm. Language: English . Brand New Book. Conscience and the Composition of Piers Plowman provides a detailed account of one of the central personified figures in William Langland s Piers Plowman. Previous critical accounts of Conscience either focus on discussions of the faculty conscience in scholastic discourse, or eschew personification allegory as a useful category in order to argue for the figure s development or education as a character during the poem. But Conscience only appears to develop as he is re-presented, in the course of Piers Plowman, within a series of different literary modes. And he changes not only during the composition of the various episodes in different modes that make up the single version, but also during the composition of the poem as a series of three different versions. The versions of Piers Plowman form, this book argues, a single continuous narrative or argument, in which revisions to Conscience s role in one version are predicated upon his cumulative experiences in the earlier versions. Drawing on a variety of materials in both Middle English and Latin, Sarah Wood illustrates the wide range of contemporary discourses Langland employed as he composed Conscience in the three versions of the poem. By showing how Langland transformed Conscience as he composed the A, B and C texts, Conscience and the Composition of Piers Plowman offers a new approach to reading the serial versions of the poem. While the versions of Piers Plowman have customarily been presented and read in parallel-text formats, Wood shows that Langland s revisions are newly comprehensible if the three versions are read in sequence. Bookseller Inventory # AOP9780199653768

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Book Description Oxford University Press, United Kingdom, 2012. Hardback. Book Condition: New. 226 x 145 mm. Language: English . Brand New Book. Conscience and the Composition of Piers Plowman provides a detailed account of one of the central personified figures in William Langland s Piers Plowman. Previous critical accounts of Conscience either focus on discussions of the faculty conscience in scholastic discourse, or eschew personification allegory as a useful category in order to argue for the figure s development or education as a character during the poem. But Conscience only appears to develop as he is re-presented, in the course of Piers Plowman, within a series of different literary modes. And he changes not only during the composition of the various episodes in different modes that make up the single version, but also during the composition of the poem as a series of three different versions. The versions of Piers Plowman form, this book argues, a single continuous narrative or argument, in which revisions to Conscience s role in one version are predicated upon his cumulative experiences in the earlier versions. Drawing on a variety of materials in both Middle English and Latin, Sarah Wood illustrates the wide range of contemporary discourses Langland employed as he composed Conscience in the three versions of the poem. By showing how Langland transformed Conscience as he composed the A, B and C texts, Conscience and the Composition of Piers Plowman offers a new approach to reading the serial versions of the poem. While the versions of Piers Plowman have customarily been presented and read in parallel-text formats, Wood shows that Langland s revisions are newly comprehensible if the three versions are read in sequence. Bookseller Inventory # AOP9780199653768

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Book Description OUP Oxford, 2012. HRD. Book Condition: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Bookseller Inventory # FU-9780199653768

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Book Description Book Condition: Brand New. Brand New Original US Edition, Perfect Condition. Printed in English. Excellent Quality, Service and customer satisfaction guaranteed!. Bookseller Inventory # AIND-113851

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Book Description Oxford University Press. Hardback. Book Condition: new. BRAND NEW, Conscience and the Composition of Piers Plowman, Sarah Wood, Conscience and the Composition of Piers Plowman provides a detailed account of one of the central personified figures in William Langland's Piers Plowman. Previous critical accounts of Conscience either focus on discussions of the faculty conscience in scholastic discourse, or eschew personification allegory as a useful category in order to argue for the figure's development or education as a character during the poem. But Conscience only appears to develop as he is re-presented, in the course of Piers Plowman, within a series of different literary modes. And he changes not only during the composition of the various episodes in different modes that make up the single version, but also during the composition of the poem as a series of three different versions. The versions of Piers Plowman form, this book argues, a single continuous narrative or argument, in which revisions to Conscience's role in one version are predicated upon his cumulative 'experiences' in the earlier versions. Drawing on a variety of materials in both Middle English and Latin, Sarah Wood illustrates the wide range of contemporary discourses Langland employed as he composed Conscience in the three versions of the poem. By showing how Langland transformed Conscience as he composed the A, B and C texts, Conscience and the Composition of Piers Plowman offers a new approach to reading the serial versions of the poem. While the versions of Piers Plowman have customarily been presented and read in parallel-text formats, Wood shows that Langland's revisions are newly comprehensible if the three versions are read in sequence. Bookseller Inventory # B9780199653768

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Book Description Book Condition: New. Oxford University Press, 2012. 208p. Hardback. Series: Oxford English Monographs. this is a serious and thoughtful book, one that offers a lot of local insight into Piers Plowman. A. S. G. Edwards, Times Literary Supplement 28/09/2012 (Publisher's information). Condition: New. Bookseller Inventory # 42141

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