Romance and the Gentry in Late Medieval England

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Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England's literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry's economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the "gentry romances" were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices.

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Michael Johnston is an Assistant Professor of English at Purdue University (West Lafayette, Ind., USA). He specializes in the history of the book, particularly the manuscript culture of fifteenth-century England. His work on this topic has recently appeared in the Journal of English and Germanic Philology, Journal of the Early Book Society, Viator, and Yearbook of Langland Studies. He regularly offers courses on British literature and culture, primarily of the Middle Ages, as well as courses on the history of books.

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"This book will be of value to all who work on Middle English romance, not only for the specific readings it offers of these romances but also in providing a model of how an interdisciplinary approach (specifically one that fully integrates literary-critical and paleographical-codicological studies) can illuminate texts and account for previously puzzling aspects of them. As "popular" romance becomes increasingly prominent on undergraduate
syllabi, this book should also prove a stimulus to students for the same reasons. In addition, it will help them, as modern readers who sometimes find medieval literature elusive in its strangeness, to ground the texts they study in specific situations that, as Johnson shows, are often highly engaging in their own right." --Gareth Griffith, Modern Philology


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Book Description Oxford University Press, United Kingdom, 2014. Hardback. Condition: New. New. Language: English . Brand New Book. Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England s literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry s economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the gentry romances were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices. Seller Inventory # AOP9780199679782

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Book Description Oxford University Press, United Kingdom, 2014. Hardback. Condition: New. New. Language: English . Brand New Book. Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England s literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry s economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the gentry romances were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices. Seller Inventory # AOP9780199679782

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