A study of fashion photography since 1945 which places it in the mainstream of popular culture. It links fashion to such influential figures as Walker Evans and Robert Frank, and its implications transcend purely photographic history. Martin Harrison explores the role of magazine culture and the influences of art directors and editors, who have both created and reflected the mood and tones of the post-war decades. With the participation of the greatest figures in the field, from Richard Avedon and Irving Penn to Bruce Weber, he presents some of the most famous fashion photographs of all time, as well as many rare images. The involvement of artists such as Cindy Sherman and Robert Mapplethorpe is also examined, whose work is peripheral to the fashion industry, yet whose influence pervades the look and climate of the times. The conclusion is that fashion photography is no longer dinstinct from the lineage of art photography and has now become central to an understanding of modern culture and vidual media.
"synopsis" may belong to another edition of this title.
Photography as a fine art is often shaped by work done in the field of fashion. As well as peddling clothes in the pages of women's magazines, fashion photographers also influence and reflect society's attitudes and obsessions. Thus, the elegant, chic, and sophisticated fashion images of the postwar period gradually evolved into the decadent, soft-porn statements typical of the 1980s and 1990s. Art historian Harrison discusses the sociological issues behind these photographic trends by examining not only the impact made by fashion photographers but also the influence of certain powerful and creative art directors. In addition, he covers the often overlooked area of male fashion, attempting to explain why this subject has received such little serious attention.The author does well in identifying the models used in each fashion shot. (Most of us have forgotten that Anjelica Huston also worked as a model.) Unfortunately, there is little new material in this book--little that was not covered in the same author's Shots of Style (Faber & Faber, 1986), written as an exhibition catalog for the Victoria and Albert Museum in 1985. Although neither book is indexed (which makes anthologies of this size difficult to use), the earlier work lists the photographers alphabetically in the table of contents, while the present work does not, merely offering such vague chapter headings as "Inside" and "White Heat." Chicago readers will be disappointed that Victor Skrebneski's work is not included. Superfluous if your library has Shots of Style .
- Margarete Gross, Chicago P.L.
Copyright 1991 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Book Description JONATHAN CAPE, 1991. Hardcover. Book Condition: Good. 1st Edition. Privately owned Hardback (Cape 1991) no dust jacket. isbn 0224030671. Unmarked text. shelf wear to cloth binding. Heavy book. Ships from Berlin Bookshop d9. Bookseller Inventory # 9973d9
Book Description Hardcover. Book Condition: Very Good. Book is in very good overall condition. A few minor bumps and shelfwear but almost pristine inside. Frontispiece has been removed leaving some rough edges. Bookseller Inventory # 100068
Book Description Jonathan Cape. Hardcover. Book Condition: Good. Light shelving wear with minimal damage to cover and bindings. Pages show minor use. Bookseller Inventory # G0224028871I3N00
Book Description Jonathan Cape. Hardcover. Book Condition: Very Good. 0224028871 312pp. Folio. First Edition. 1991. Jonathan Cape Ltd. Numerous photographs in colour and black and white supported by text. A near fine copy in a very good wrapper. The slightest of bumps to one corner. Light shelf wear to the wrapper. A lovely copy of a beautiful book. Shipping from the UK. Bookseller Inventory # SKU000402