Erich Auerbach’s Dante: Poet of the Secular World is an inspiring introduction to one of world’s greatest poets as well as a brilliantly argued and still provocative essay in the history of ideas. Here Auerbach, thought by many to be the greatest of twentieth-century scholar-critics, makes the seemingly paradoxical claim that it is in the poetry of Dante, supreme among religious poets, and above all in the stanzas of his Divine Comedy, that the secular world of the modern novel first took imaginative form. Auerbach’s study of Dante, a precursor and necessary complement to Mimesis, his magisterial overview of realism in Western literature, illuminates both the overall structure and the individual detail of Dante’s work, showing it to be an extraordinary synthesis of the sensuous and the conceptual, the particular and the universal, that redefined notions of human character and fate and opened the way into modernity.
I. Historical Introduction; The Idea of Man in Literature
II. Dante's Early Poetry
III. The Subject of the "Comedy"
IV. The Structure of the "Comedy"
V. The Presentation
VI. The Survival and Transformation of Dante's Vision of Reality
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Erich Auerbach (1892—1957) was born in Berlin, educated at the Universities of Heidelberg and Greifswald, and served in the German army during World War I. A professor at the University of Marburg, Auerbach fled Hitler’s Germany for Istanbul in 1933 and in 1947 moved to the United States, where he taught at Pennsylvania State and Yale.
Michael Dirda is the winner of the 1993 Pulitzer Prize for criticism. He has been an editor and writer for The Washington Post Book World for the past twenty years. He lives in Silver Spring, Maryland.
Ralph Manheim (1907—1992) translated GŸnter Grass, Louis-Ferdinand C?line, Hermann Hesse, and Martin Heidegger, along with many other German and French authors. The PEN/Ralph Manheim Medal for Translation is a major lifetime achievement award named in his honor.
"A well-woven garland of luminous details...It is good to welcome back Auerbach's Dante." --Bookforum
"It is arguably the best, if not the easiest, short introduction to Dante and his artistry." --Michael Dirda, from the Introduction
“Auerbach offers the thought that for all its investment in the eternal and immutable, the Divine Comedy is even more successful in representing reality as basically human...The refinement of Auerbach’s own writing about Dante is truly exhilarating to read, not just because of his complex, paradox-filled insights, but because of their Nietzschean audacity.” —Edward Said
A precursor and companion to Erich Auerbach’s majestic Mimesis, Dante: Poet of the Secular World is both a comprehensive introduction to the work of one of the greatest poets and a brilliantly provocative and stimulating essay in the history of ideas. Here Auerbach, acclaimed by writers and scholars as various as Terry Eagleton, Guy Davenport, and Alfred Kazin as one of the greatest critics of the twentieth century, argues paradoxically but powerfully that it is to Dante, supreme among Christian poets, that we owe the concept of the secular world. Dante’s poetry, Auerbach shows, offers an extraordinary synthesis of the sensuous and the conceptual, and individual and the universal, that redefined notions of human character and fate and opened the way into modernity.
“This is a book with all the freshness and excitement of a new discovery. The account of Dante’s poetry possesses a validity which no other book, past and present, can diminish.” —Theodore Silverstein, University of Chicago
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Book Description University of Chicago Press, Chicago, IL, 1974. Soft cover. Book Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. Third Printing. A bit of edge wear to card covers; otherwise a solid, clean copy with no marking or underlining; collectible condition. Bookseller Inventory # 012303
Book Description University of Chicago Press, [Chicago], 1961. hardcover. Book Condition: Good. Ships from Reno, NV. Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP97028350
Book Description University of Chicago Press, 1961. Hardcover. Book Condition: Good. Exlibrary, usual markings. Faded, sunned, stained spine. ; 194 pages. Bookseller Inventory # 160687
Book Description University of Chicago Press, 1961. Book Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Bookseller Inventory # 0226032078-2-4
Book Description University of Chicago Press, 1961. Hardcover. Book Condition: Used: Good. Bookseller Inventory # SONG0226032078
Book Description U of Chicago Press, Chicago, 1969. HARDCOVER. Dust Jacket Condition: good. 2nd American printing. 195pp, octavo cloth owner name, very good in slightly worn/faded dustwrapper. Bookseller Inventory # 72578
Book Description University of Chicago Press, [Chicago], 1961. hardcover. Book Condition: Good. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP21957947
Book Description University of Chicago Press, 1961. Hardcover. Book Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Bookseller Inventory # P020226032078