Practicing New Historicism

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9780226279350: Practicing New Historicism

For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects.

In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations.

By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt?

Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars.

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From the Inside Flap:

"Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."-Choice

For decades, new historicism has been a highly controversial and influential force in literary and cultural studies. In this dazzling, seminal volume, two of the discipline's most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects.

About the Author:

Catherine Gallagher is the Eggers Professor of English at the University of California, Berkeley.

Stephen Greenblatt is the Cogan University Professor of the Humanities at Harvard University.

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Catherine Gallagher, Stephen Greenblatt
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Book Description The University of Chicago Press, United States, 2001. Paperback. Book Condition: New. New edition. Language: English . Brand New Book. For almost 20 years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing New Historicism , two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristicaly dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations . By juxtaposing analyses of Renaissance and 19th-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists hostility to the potato? How does Pip s isolation in Great Expectations shed light on Hamlet s doubt?. Bookseller Inventory # AAU9780226279350

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Book Description The University of Chicago Press, United States, 2001. Paperback. Book Condition: New. New edition. Language: English . Brand New Book. For almost 20 years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing New Historicism , two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristicaly dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations . By juxtaposing analyses of Renaissance and 19th-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists hostility to the potato? How does Pip s isolation in Great Expectations shed light on Hamlet s doubt?. Bookseller Inventory # AAU9780226279350

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Book Description The University of Chicago Press, 2001. Book Condition: New. This work focuses on five aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Num Pages: 250 pages, 12 halftones. BIC Classification: ACND; ACV; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 148 x 215 x 15. Weight in Grams: 302. . 2001. New ed. Paperback. . . . . . Bookseller Inventory # V9780226279350

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Book Description The University of Chicago Press. Book Condition: New. This work focuses on five aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Num Pages: 250 pages, 12 halftones. BIC Classification: ACND; ACV; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 148 x 215 x 15. Weight in Grams: 302. . 2001. New ed. Paperback. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780226279350

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