Contrary to twentieth-century criticism that cast them as misguided dabblers, English virtuosi in the seventeenth and early eighteenth centuries were erudite individuals with solid grounding in the classics, deep appreciation for the arts, and sincere curiosity about the natural world. Reestablishing their broad historical significance, The English Virtuoso situates this polymathic group at the rich intersection of the period’s art, medicine, and antiquarianism.
At the heart of this profoundly interdisciplinary study lies the Royal Society of London for the Improvement of Natural Knowledge, which from its founding in 1660 served as the major professional organization for London’s leading physicians, many of them prominent virtuosi. Craig Ashley Hanson reveals that a vital art audience emerged from the Royal Society—whose members assembled many of the period’s most important nonaristocratic collections—a century before most accounts date the establishment of an institutional base for the arts in England. Unearthing the fascinating stories of an impressive cast of characters, Hanson establishes a new foundation for understanding both the relationship between British art and science and the artistic accomplishments of the late eighteenth and nineteenth centuries.
"synopsis" may belong to another edition of this title.
Craig Ashley Hanson is assistant professor of art history at Calvin College.
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition, first printing. Large octavo hardback, xviii + 316 pp. black and white illustrations. Very Good condition in Very Good unclipped dust jacket. There are some damp marks on the bottom edge , not visible on the surface of the dust jacket and only slightly affecting the cloth otherwise the condition would be fine. No inscriptions. Seller Inventory # 088421
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Condition: New. Contrary to 20th-century criticism that cast them as misguided dabblers, English virtuosi in 17th and early 18th centuries were erudite individuals with grounding in classics, appreciation for the arts, and sincere curiosity about the natural world. This title situates this group at the intersection of period's art, medicine, and antiquarianism. Num Pages: 296 pages, 12 colour plates, 62 halftones. BIC Classification: 1DBKE; 3JD; 3JF; ACQ; HBJD1; JFCX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 24. Weight in Grams: 1034. . 2009. Hardcover. . . . . Seller Inventory # V9780226315874
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Condition: New. Contrary to 20th-century criticism that cast them as misguided dabblers, English virtuosi in 17th and early 18th centuries were erudite individuals with grounding in classics, appreciation for the arts, and sincere curiosity about the natural world. This title situates this group at the intersection of period's art, medicine, and antiquarianism. Num Pages: 296 pages, 12 colour plates, 62 halftones. BIC Classification: 1DBKE; 3JD; 3JF; ACQ; HBJD1; JFCX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 24. Weight in Grams: 1034. . 2009. Hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9780226315874
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Hardback. Condition: New. Contrary to twentieth-century criticism that cast them as misguided dabblers, English virtuosi in the seventeenth and early eighteenth centuries were erudite individuals with solid grounding in the classics, deep appreciation for the arts, and sincere curiosity about the natural world. Reestablishing their broad historical significance, "The English Virtuoso" situates this polymathic group at the rich intersection of the period's art, medicine, and antiquarianism.At the heart of this profoundly interdisciplinary study lies the Royal Society of London for the Improvement of Natural Knowledge, which from its founding in 1660 served as the major professional organization for London's leading physicians, many of them prominent virtuosi. Craig Ashley Hanson reveals that a vital art audience emerged from the Royal Society - whose members assembled many of the period's most important nonaristocratic collections - a century before most accounts date the establishment of an institutional base for the arts in England.Unearthing the fascinating stories of an impressive cast of characters, Hanson establishes a new foundation for understanding both the relationship between British art and science and the artistic accomplishments of the late eighteenth and nineteenth centuries. Seller Inventory # LU-9780226315874
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Hardcover. Condition: Brand New. 316 pages. 10.00x7.25x1.00 inches. In Stock. Seller Inventory # __0226315878
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