"The finest translation of Homer ever made into the English language."—William Arrowsmith
"Certainly the best modern verse translation."—Gilbert Highet
"This magnificent translation of Homer's epic poem . . . will appeal to admirers of Homer and the classics, and the multitude who always wanted to read the great Iliad but never got around to doing so."—The American Book Collector
"Perhaps closer to Homer in every way than any other version made in English."—Peter Green, The New Republic
"The feat is decisive that it is reasonable to foresee a century or so in which nobody will try again to put the Iliad in English verse."—Robert Fitzgerald
"Each new generation is bound to produce new translations. [Lattimore] has done better with nobility, as well as with accuracy, than any other modern verse translator. In our age we do not often find a fine scholar who is also a genuine poet and who takes the greatest pains over the work of translation."—Hugh Lloyd-Jones, New York Review of Books
"Over the long haul Lattimore's translation is more powerful because its effects are more subtle."—Booklist
"Richmond Lattimore is a fine translator of poetry because he has a poetic voice of his own, authentic and unmistakable and yet capable of remarkable range of modulation. His translations make the English reader aware of the poetry."—Moses Hadas, The New York Times
"synopsis" may belong to another edition of this title.
A Look Inside: The Iliad [Click Images to Enlarge]First Seven Lines of the Iliad: This reconstruction is based on what we know about the earliest Greek orthography.
The Walls of Troy: The translator standing before the walls of the sixth city at Troy.
The Judgment of Paris: On the right a youthful Paris sits on a stone in a rural location. The sheep near his feet indicates that he is a shepherd. Athenian red-figure water jar, c. 450 BC.
The Rage of Achilles: The seated Agamemnon holds the scepter of authority and sits on a throne, his lower body wrapped in a robe. Athena seizes Achilles from behind by the hair. Roman mosaic from Pompeii, c. First Century AD. The Wedding of Zeus and Hera: A half-naked Zeus, sitting on a rock, clasps the wrist of Hera. One of her breasts is exposed as Hera removes her head covering in a traditional gesture of submission. c. 540 BC Hephaistos Prepares Arms for Achilles: The smithy-god, bearded and wearing a felt cap, sits in an elaborately draped hall on a platform holding a cloth with which he is polishing the finished shield. Between him and Thetis are the breastplate and the shinguards (the surface of the fresco is damaged here). From Pompeii, c. AD 60. From the Publisher:
This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic.
"About this title" may belong to another edition of this title.
Book Description University of Chicago Press. PAPERBACK. Book Condition: New. 0226469409 Ask about discounted shipping available when multiple items are purchased at the same time. FAST, RELIABLE, GUARANTEED and happily SHIPPED WITHIN 1 BUSINESS DAY!. Bookseller Inventory # BX17-2722
Book Description University Of Chicago Press, 1961. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110226469409
Book Description University of Chicago Press, 1961. Paperback. Book Condition: New. Bookseller Inventory # DADAX0226469409
Book Description University Of Chicago Press, 1961. Paperback. Book Condition: New. book. Bookseller Inventory # M0226469409
Book Description University of Chicago Press. PAPERBACK. Book Condition: New. 0226469409 New Condition. Bookseller Inventory # NEW7.0053509