Pinter at Sixty (Drama and Performance Studies)

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9780253208118: Pinter at Sixty (Drama and Performance Studies)

... insights and expertise which all together furnish a useful addition to Pinter studies." ―Modern Language Review

Essays by both scholars and theater artists examine the work of British playwright Harold Pinter. The essays focus on performance, politics, gender issues, interpersonal manipulation, style and language, on influence, and on the interplay between Pinter’s theatrical and film-scripting careers. Illustrated.

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About the Author:

KATHLEEN H. BURKMAN is Professor of English at The Ohio State University and author of The Dramatic World of Harold Pinter: Its Basis in Ritual; The Arrival of Godot: Ritual Patterns in Modern Drama; and Simon Gray: A Casebook. JOHN L. KUNDERT-GIBBS is currently a Ph.D. candidate at The Ohio State University.

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Book Description Indiana University Press, United States, 1993. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****. To celebrate his sixtieth year, an international group of scholars and theatre artists gathered in 1991 to assess the achievement of British playwright and screenwriter, Harold Pinter. These eighteen essays represent the current state of Pinter criticism and an affirmation of Pinter s preeminence in contemporary British theatre. Contents include: Pinter in Rehearsal: From The Birthday Party to Mountain Language, by Carey Perloff; Producing Pinter, by Louis Marks; Harold Pinter s Theatre of Cruelty, by Martin Esslin; Harold Pinter s The Hothouse: A Parable of the Holocaust, by Rosette C. Lamont; Disjuncture as Theatrical and Postmodern Practice in Griselda Gambaro s The Camp and Harold Pinter s Mountain Language, by Jeanne Colleran; The Outsider in Pinter and Havel, by Susan Hollis Merritt; The Betrayal of Facts: Pinter and Duras beyond Adaptation, by Judith Roof; Image and Attention in Harold Pinter, by Alice Rayner; Pinter and the Ethos of Minimalism, by Jon Erickson; Chekhov, beckett, Pinter: The St(r)ain upon the Silence, by Alice N. Bentson; That first last look ., by Martha Fehsenfeld; A Rose by any other name: Pinter and Shakespeare, by Hersh Zeifman; From Novel to Film: Harold Pinter s Adaptation of The Trial, by Francis Gillen. I am powerful .and I am only the lowest doorkeeper : Power Play in Kafka s The Trial and Pinter s Victoria Station, by John L. Kundert-Gibbs; Art Objects as Metaphors in the Filmscripts of Harold Pinter, by Steven H. Gale; Pinter and Bowen: The Heat of the Day, by Phyllis R. Randall; Portrait of Deborah: A Kind of Alaska, by Moonyoung C. Ham; and Deborah s Homecoming in A Kind of Alaska: Afterword, by Katherine H. Burkman. Bookseller Inventory # AAV9780253208118

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Published by Indiana University Press, United States (1993)
ISBN 10: 0253208114 ISBN 13: 9780253208118
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Book Description Indiana University Press, United States, 1993. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****.To celebrate his sixtieth year, an international group of scholars and theatre artists gathered in 1991 to assess the achievement of British playwright and screenwriter, Harold Pinter. These eighteen essays represent the current state of Pinter criticism and an affirmation of Pinter s preeminence in contemporary British theatre. Contents include: Pinter in Rehearsal: From The Birthday Party to Mountain Language, by Carey Perloff; Producing Pinter, by Louis Marks; Harold Pinter s Theatre of Cruelty, by Martin Esslin; Harold Pinter s The Hothouse: A Parable of the Holocaust, by Rosette C. Lamont; Disjuncture as Theatrical and Postmodern Practice in Griselda Gambaro s The Camp and Harold Pinter s Mountain Language, by Jeanne Colleran; The Outsider in Pinter and Havel, by Susan Hollis Merritt; The Betrayal of Facts: Pinter and Duras beyond Adaptation, by Judith Roof; Image and Attention in Harold Pinter, by Alice Rayner; Pinter and the Ethos of Minimalism, by Jon Erickson; Chekhov, beckett, Pinter: The St(r)ain upon the Silence, by Alice N. Bentson; That first last look ., by Martha Fehsenfeld; A Rose by any other name: Pinter and Shakespeare, by Hersh Zeifman; From Novel to Film: Harold Pinter s Adaptation of The Trial, by Francis Gillen. I am powerful .and I am only the lowest doorkeeper : Power Play in Kafka s The Trial and Pinter s Victoria Station, by John L. Kundert-Gibbs; Art Objects as Metaphors in the Filmscripts of Harold Pinter, by Steven H. Gale; Pinter and Bowen: The Heat of the Day, by Phyllis R. Randall; Portrait of Deborah: A Kind of Alaska, by Moonyoung C. Ham; and Deborah s Homecoming in A Kind of Alaska: Afterword, by Katherine H. Burkman. Bookseller Inventory # AAV9780253208118

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Book Description Indiana University Press. Paperback. Book Condition: New. Paperback. 219 pages. Dimensions: 8.8in. x 5.2in. x 0.7in. . . insights and expertise which all together furnish a useful addition to Pinter studies. Modern Language ReviewEssays by both scholars and theater artists examine the work of British playwright Harold Pinter. The essays focus on performance, politics, gender issues, interpersonal manipulation, style and language, on influence, and on the interplay between Pinters theatrical and film-scripting careers. Illustrated. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780253208118

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Published by Indiana University Press, United States (1993)
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Book Description Indiana University Press, United States, 1993. Paperback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. To celebrate his sixtieth year, an international group of scholars and theatre artists gathered in 1991 to assess the achievement of British playwright and screenwriter, Harold Pinter. These eighteen essays represent the current state of Pinter criticism and an affirmation of Pinter s preeminence in contemporary British theatre. Contents include: Pinter in Rehearsal: From The Birthday Party to Mountain Language, by Carey Perloff; Producing Pinter, by Louis Marks; Harold Pinter s Theatre of Cruelty, by Martin Esslin; Harold Pinter s The Hothouse: A Parable of the Holocaust, by Rosette C. Lamont; Disjuncture as Theatrical and Postmodern Practice in Griselda Gambaro s The Camp and Harold Pinter s Mountain Language, by Jeanne Colleran; The Outsider in Pinter and Havel, by Susan Hollis Merritt; The Betrayal of Facts: Pinter and Duras beyond Adaptation, by Judith Roof; Image and Attention in Harold Pinter, by Alice Rayner; Pinter and the Ethos of Minimalism, by Jon Erickson; Chekhov, beckett, Pinter: The St(r)ain upon the Silence, by Alice N. Bentson; That first last look ., by Martha Fehsenfeld; A Rose by any other name: Pinter and Shakespeare, by Hersh Zeifman; From Novel to Film: Harold Pinter s Adaptation of The Trial, by Francis Gillen. I am powerful .and I am only the lowest doorkeeper : Power Play in Kafka s The Trial and Pinter s Victoria Station, by John L. Kundert-Gibbs; Art Objects as Metaphors in the Filmscripts of Harold Pinter, by Steven H. Gale; Pinter and Bowen: The Heat of the Day, by Phyllis R. Randall; Portrait of Deborah: A Kind of Alaska, by Moonyoung C. Ham; and Deborah s Homecoming in A Kind of Alaska: Afterword, by Katherine H. Burkman. Bookseller Inventory # LIE9780253208118

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