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Sixty years after the liberation of Auschwitz, the impact of the war and the Holocaust on the non-Jewish German population remains a subject that is difficult to broach in public. While the literature on the Second World War in Europe is enormous, the experiences of these Germans have been little studied, as if the memories of the defeated were not deserving of preservation.
In Germany 1945, an examination of Allied photography of postwar Germany, Dagmar Barnouw demonstrated one of the means by which the victors sought to impose the burden of responsibility for World War II and the Holocaust on the German people as a whole. Now, in The War in the Empty Air, she demonstrates how deeply that narrative took hold and the silence it imposed, in the context of recent controversies surrounding history and memory.
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-- A 2006 AAUP Public and Secondary School Library Selection --From the Back Cover:
Stunning documentary photographs are the focus of this compelling study of postwar Germany and the battle over history, memory, and the German past. After half a century, Germany's coming to terms with Nazism remains a subject of debate. This investigation of the photographic record shows that such debates have overlooked the actual conditions in which postwar German memory was first forged. The Allied forces that entered Germany at the close of World War II were looking for remorse and open admissions of guilt from the Germans. Instead, they "saw" arrogance, servility, and a population thoroughly brainwashed by Nazism and in need of moral and political rehabilitation. For the Allies, the fundamental reality of Nazism was to be found in the death camps. Allied photography sought not only to document Nazism's violence but also to depict Germans finally seeing the truth of the regime in all its ghastly horror. Dagmar Barnouw argues that the German response could hardly have suited the victors' expectations. Demoralized, many uprooted from communities in which their families had lived for centuries, traumatized by the effects of wartime bombing, and weakened by sickness and near-starvation, Germans were concerned with survival, not with guilt over their Nazi past. Indeed, for many Germans, except for the last stages of the war, the memory of life under the Nazi regime was a largely positive one. In pointing this out, Barnouw does not offer an alternative truth or a revision of the scholarly record. Instead, she argues that postwar photography holds many possible, partial meanings that could be used to reassess our understanding of the recent German past. She uses Allied and Germanphotographs to tease out these potential meanings, often reading images against their grain to suggest nuances and absences that the photographers themselves never intended or only partially understood.
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Book Description Indiana University Press, 2005. Condition: New. book. Seller Inventory # M0253346517
Book Description Indiana University Press, 2005. Hardcover. Condition: New. Never used!. Seller Inventory # P110253346517
Book Description Condition: New. New. Seller Inventory # STRM-0253346517