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This first standard work on the past 25 years in postmodern architecture documents a rich and controversial period. It provides a fascinating, clear, and provocative definition of the phenomena of postmodernism, particularly in relation to the major ideas of modernism. Over 500 illustrations, including 96 in full color, are in themselves a substantial record of the aesthetic preoccupations of postmodernist architects, their patrons, and their detractors.
Heinrich Klotz is one of Europe's leading architectural critics. In this panoramic work he challenges popular notions of postmodernism as synonymous with the stylistic license of eclecticism. He seeks to clarify the postmodern in other than stylistic, historic, or regional terms and identifies a long tradition of canonical, "modern" buildings which were breaking ground for what would become "postmodern" long before the word existed. His criteria for what defines postmodern will be challenged, debated, and quoted by historians and architects alike.
Klotz focuses both on architects' individual projects and their work as a whole, combining structural analysis with an assessment of programmatic and philosophical content. "Not only function, but also fiction!": that is the guiding concept of this book. His approach leads quite naturally to a gallery of celebrities from the modern as well as the postmodern period: Mies, Kahn, Venturi, Moore, Ungers, Rossi, Stirling, Hollein, Gehry, Graves, Meier, Hedjuk, Eisenman, Botta, Krier, and Stern among them. Also included are a host of less well-known contemporary practitioners including Rem Koolhas, Thomas Gordon Smith, and Maurice Culot.
Heinrich Klotz is Professor at the University of Marburg and Director of the German Architecture Museum in Frankfurt, the most distinguished showcase of contemporary architectural exhibitions in Europe. He is the author of 14 books, founder and editor of Architectura magazine, the Jahrbuch fuer architecktur, and winner of the Schinkel prize of the German Society of Architects.
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Text: English, German (translation)From Publishers Weekly:
In response to Mies van der Rohe's famous dictum that "less is more," Robert Venturi said "less is a bore," implying that the pure, unembellished architectural style in the modernist tradition of Mies, Gropius, Le Corbusier et al. had reached a dead end. The decisive turn from modernism to postmodernism, notes the author of this provocative survey, occurred around 1960 as architects were again designing buildings that expressed meaning as well as function. Klotz, director of the German Architecture Museum in Frankfurt, first traces the progress of modernism from the 1920s to 1960. He then discusses in depth the works of Venturi, Charles Moore, James Stirling, Aldo Rossi, Hans Hollein and many other postmodernists. Central to his thesis is the idea that postmodern architecture has a fictional contentunlike modern architecture, it refers to events outside itself. Illustrations.
Copyright 1988 Reed Business Information, Inc.
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Book Description The MIT Press (April 13, 1988), 1988. Condition: new. Seller Inventory # think0262111233
Book Description The MIT Press, 1988. Hardcover. Condition: New. Seller Inventory # DADAX0262111233
Book Description The MIT Press, 1988. Hardcover. Condition: New. Never used!. Seller Inventory # P110262111233
Book Description MIT Press, Cambridge, 1988. Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. This is a New and Unread copy of the first edition and is sealed (Unopened) in the original publisher's shrink wrap as issued. Book. Seller Inventory # 042318
Book Description The MIT Press, 1988. Hardcover. Condition: New. Brand New!. Seller Inventory # VIB0262111233
Book Description The MIT Press, 1988. Condition: New. book. Seller Inventory # M0262111233