The Surrealist Look: An Erotics of Encounter - Softcover

Caws, Mary Ann

Softcover

ISBN 10: 0262531623 ISBN 13: 9780262531627

Publisher: Mit Pr, 1999

Synopsis

How we look at Surrealism, how it looks at the objects it encounters, and how it looks from here: all these looks intertwine in this study linking Surrealism and the Baroque. Le look (whatever it might be): you have it or you don't, and Surrealism had it all the way. The emotional charge Surrealism extended to the objects of its encounter makes itself felt as at least philosophically erotic. This charged look determines the atmosphere around the Surrealist text and its encounters--in the world of art and the world it made into art. In this unprecedented attempt to make sense of the way Surrealism sees, conceals, poses, and stares at its own self and the selves of others, Mary Ann Caws examines the decors, games, portraits, transformations, and mirrorings that establish Surrealism's links to Baroque forms of representation."We have to learn to look and to read slowly," Caws writes. Her study begins with an exhortation to take one's time, for the figures in the carpet of this study are not easy, nor do they put one at ease. Take, for example, the self-portraits of Claude Cahum and Dorothea Tanning, Marcel Duchamp's creation Rrose Sélavy, the crossing of André Breton into Melusine. The constructions of Joseph Cornell and the fashionings by Man Ray meet in a space determined by the architecture of François de Nomé, Robert Desnos, and Antonin Artaud, pointed at by Marcel Duchamp in his crossings not just with Rrose but with Ludwig Wittgenstein. The game of the Exquisite Corpse has it own erotic charge, and the Baroque vanitas casts its shadow over everything from Cornell's Shadow Boxes to the game of chance. It all ends with two of Picasso's pipes, one by a skull and one in a frame play--signaling, perhaps, that Surrealism looks the way it looks and speaks the Baroque language it speaks because whoever is looking frames it that way.

About this title

About the Author

Mary Ann Caws is Distinguished Professor of English, French, and Comparative Literature at the Graduate School, City University of New York. She is the author, editor, and translator of some thirty books on the twentieth-century avant-garde, including Surrealism and Women (MIT Press, 1991).

Edition details

• Publisher: Mit Pr
• Publication date: 1999
• Language: English
• ISBN 10: 0262531623
• ISBN 13: 9780262531627
• Binding: Paperback
• Edition number: 1
• Number of pages: 288