Throughout the history of cinema, a radical avant-garde has existed on the fringes of the film industry. A great deal of research has focused on the pre- and early history of cinema, but there has been little speculation about a future cinema incorporating new electronic media. Electronic media have not only fundamentally transformed cinema but have altered its role as a witness to reality by rendering "realities" not necessarily linked to documentation, by engineering environments that incorporate audiences as participants, and by creating event-worlds that mix realities and narratives in forms not possible in traditional cinema. This hybrid cinema melds montage, traditional cinema, experimental literature, television, video, and the net. The new cinematic forms suggest that traditional cinema no longer has the capacity to represent events that are themselves complex configurations of experience, interpretation, and interaction.
This book, which accompanies an exhibition organized by the ZKM Institute for Visual Media, explores the history and significance of pre-cinema and of early experimental cinema, as well as the development of the unique theaters in which "immersion" evolved. Drawing on a broad range of scholarship, it examines the shift from monolithic Hollywood spectacles to works probing the possibilities of interactive, performative, and net-based cinemas. The post-cinematic condition, the book shows, has long roots in artistic practice and influences every channel of communication.
"synopsis" may belong to another edition of this title.
Jeffrey Shaw is Director of the Institute for Visual Media at the ZKM Center for Art and Media, Karlsruhe.
"The editors offer a comprehensive look at the evolution of cinema."
— The Futurist
"...a well-packaged overview of the history and current scope of digital art, particularly of the interactive kind."
— Michael Rush
"About this title" may belong to another edition of this title.
Seller: Gleebooks, Sydney, NSW, Australia
Soft cover. Condition: Near Fine. 635pp, b/w and colour illus., appendixLight surface scratches to reflective cover. Edges faintly marked. Otherwise excellent tight clean copy. GL 12/25. Seller Inventory # ABE-1764723506030
Quantity: 1 available
Seller: Lost Books, AUSTIN, TX, U.S.A.
Trade paperback. Trade paperback (US). 634 p. Contains: Illustrations. Electronic Culture--History, Theory, Practice. Audience: General/trade. Good. Wear and creasing to cover. Wear to edges. Text appears unmarked. Seller Inventory # Alibris.0014563
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany
Condition: gut. 2003. Future Cinema: The Cinematic Imaginary After Film (Electronic Culture Series) In englischer Sprache. pages. Seller Inventory # BN261756
Quantity: 1 available
Seller: GoldBooks, Denver, CO, U.S.A.
Paperback. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 93T93_59_0262692864