Renaissance Perfected: Architecture, Spectacle, and Tourism in Fascist Italy (Buildings, Landscapes, and Societies) - Softcover

Lasansky, D. Medina

Softcover

ISBN 10: 0271025077 ISBN 13: 9780271025070

Publisher: Penn State University Press, 2004

Synopsis

Mussolini’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation’s medieval and Renaissance heritage to satisfy the regime’s programs of national regeneration. Anyone acquainted with the beauties of Tuscany will be surprised to learn that architects, planners, and administrators working within Fascist programs fabricated much of what today’s tourists admire as authentic. Public squares, town halls, palaces, gardens, and civic rituals (including the famed Palio of Siena) were all “restored” to suit a vision of the past shaped by Fascist notions of virile power, social order, and national achievement in the arts. Ultimately, Lasansky forces readers to question long-standing assumptions about the Renaissance even as she expands the parameters of what constitutes Fascist culture.

The arguments in The Renaissance Perfected are based in fresh archival evidence and a rich collection of illustrations, many reproduced for the first time, ranging from photographs and architectural drawings to tourist posters and film stills. Lasansky’s groundbreaking book will be essential reading for students of medieval, Renaissance, and twentieth-century Italy as well as all those concerned with visual culture, architectural preservation, heritage studies, and tourism studies.

About this title

About the Author:

D. Medina Lasansky is Assistant Professor of Architecture at Cornell University and co-editor of Architecture and Tourism: Perception, Performance, and Place (2004).

Review:

“More than simply entertaining the people, these festivals recall . . . the memory of a long lost time that was for us as glorious and memorable as that of Rome.”

—Barna Occhini, sidebar

“The Renaissance Perfected is a well-argued and original look at the Italian Fascist appropriation and utilization of the Italian medieval and Renaissance heritage. Lasansky illuminates the functioning and politics of Fascist mass and high culture, architecture, urban design, and tourism. Her treatment of the politics and practices of restoration is superb.”

—Ruth Ben-Ghiat, New York University

“Lasansky stands to substantially enrich the field, opening it up to new questions and changing scholars’ perceptions of the place of antiquity vs. the medieval and Renaissance periods in Fascists’ ‘consciousness’ with respect to architectural design, conservation, archaeology, city planning, and the elaboration of civic rituals such as pseudo-medieval festivals.”

—Mia Fuller, University of California, Berkeley

“Medina Lasansky’s book, The Renaissance Perfected, should be required reading for anyone in Renaissance Studies. Her study of Fascist Italy shows how the regime promoted civic architecture, how it canonized medieval and Renaissance monuments in Tuscany in particular, and how it manipulated popular festivals all in the service of political ideology. Scholars as well as students are still in the grip of this Fascist vision of pre-modern Italy since our textbooks, monographs and lectures fail to take into account the urban redesign, the ‘edited’ monuments, or the ‘invented traditions’ in cities like Siena, Arezzo or San Gimignano.  While Renaissance art history has begun to engage with its origins in nineteenth-century historicism it has yet to grapple with the legacy of Mussolini and Italy’s Fascist period. Lasansky’s book unsettles our basic, cherished assumptions about Renaissance architecture and urbanism. It challenges us to confront the use of the Renaissance in the present as well as in the recent past.”

—Cristelle Baskins, Tufts University

“This is an engaging study whose prime merit lies in pointing the way to future engagements with this topic; it is a beautifully crafted and well-illustrated study whose images are often surprising and sometimes disconcerting. Lasansky’s reinterpretation of the architectural legacy of Italy’s Fascists certainly appeals to Renaissance and contemporary art historians alike.”

—Gabriele Neher, The Art Book

“This is an outstanding example of a deconstructivist approach to history. It is sumptuously produced. The text is generously illustrated in color and black-and-white and is followed by acknowledgments, footnotes, bibliography, and index. This book is for anyone with a special interest in Italian culture.”

—J. Quinan, Choice

“This is an outstanding example of a deconstructivist approach to history. . . . . . The text is generously illustrated in color and black-and-white. . . . . This book is for anyone with a special interest in Italian culture. .”

—J. Quinan, Choice

“While Renaissance art history has begun to engage with its origins in nineteenth-century historicism, it has yet to grapple with the legacy of Mussolini and Italy’s Fascist period. Lasansky’s book unsettles our basic, cherished assumptions about Renaissance architecture and urbanism. It challenges us to confront the use of the Renaissance in the present as well as in the recent past.”

—Cristelle Baskins, Tufts University

“The Renaissance Perfected is a well-argued and original look at the Italian Fascist appropriation and utilization of the Italian medieval and Renaissance heritage. Lasansky illuminates the functioning and politics of Fascist mass and high culture, architecture, urban design, and tourism. Her treatment of the politics and practices of restoration is superb.”

—Ruth Ben-Gghiat, New York University

“Lasansky’s reinterpretation of the architectural legacy of Italy’s Fascists certainly appeals to Renaissance and contemporary art historians alike.”

—Gabriele Neher, The Art Book

About this edition

• Publisher: Penn State University Press
• Publication date: 2004
• ISBN 10: 0271025077
• ISBN 13: 9780271025070
• Binding: Paperback
• Edition number: 1
• Number of pages: 412