The earliest Roman tragedies only survive in fragmentary form and are, therefore, a difficult body of evidence to analyse. This aside, Mario Erasmo attempts to trace the evolution of Roman tragedy from its earliest proponents to Seneca in the mid-1st century AD. Extracts from writers such as Livius, Naevius, Ennius, Pacuvius and Accius are given in English translation as Erasmo examines how tragedy became metatragedy and how off-stage theatricality competed with the theatre. Arguing that tragedy predated theatricality, he explores how tragedy became theatricalised, how this permeated into society, and vice versa, how the theatricality of the cultural context influenced what was performed on stage. What he reveals is a system of coexisting and competing realities off and on stage and, as Roman life became more theatrical, how this sought to undermine the theatre.
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MARIO ERASMO is Associate Professor of Classics at the University of Georgia at Athens.Review:
"This book is bold and original. I know of no other work in which the evolution of the tragic form is treated as a form, within its context, over time." (Guy MacLean Rogers, Professor of Classics and History, Wellesley College)
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Book Description University of Texas Press, 2004. Hardcover. Book Condition: New. No.1 BESTSELLERS - great prices, friendly customer service â€" all orders are dispatched next working day. Bookseller Inventory # mon0000517916
Book Description University of Texas Press, 2004. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110292702426