The Big Book

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9780292754683: The Big Book

W. Eugene Smith, an icon in the field of twentieth-century photography, is best known as the master of the humanistic photographic essay. Smith’s most expressive and frequently reproduced images—World War II combat, the country doctor and nurse-midwife, Pittsburgh, Albert Schweitzer in Africa, rural Spanish villagers, and the mentally ill in Haiti—have altered our perception and understanding of the world.

In 1959, Smith became obsessed with creating an extended photo-essay that he called “The Big Book,” a complex retrospective of his work that would reflect his philosophy of art and critique of the world. Smith’s layout grouped photographs out of context and chronological order to form a series of connected “visual chapters and subchapters” that were intended to have a Joycean or Faulknerian literary quality. After three years of intense labor, Smith completed two handmade folio-sized maquettes to send to publishers. With 380 pages and 450 images, The Big Book was universally rejected as unviable and non-commercial, and it was never published.

Now, five decades later, a facsimile of W. Eugene Smith’s The Big Book, which is part of the Smith Archive at the Center for Creative Photography (CCP) at the University of Arizona, is in print for the first time. Accompanying the facsimile is a supporting volume with a foreword by Dr. Katherine Martinez, Director of CCP; an introduction by William S. Johnson, who arranged Smith’s archive at CCP; an essay by the renowned Swiss critic John Berger; notes on the Smith Collection at CCP by archivist Leslie Squyres and Jennifer Jae Gutierrez; “The Walk to Paradise Garden,” by W. Eugene Smith; and an appendix that maps Smith’s complete layout with titles, dates, and reproductions of each image from original prints. The Big Book is an essential primary source document for the study of both the history of photography and the history of the photobook. This set, in slipcase, will likely be the most comprehensive catalogue of W. Eugene Smith’s work ever published.

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About the Author:

Born in Wichita, Kansas, in 1918, W. Eugene Smith was a combat photographer during World War II, and worked for" Life "magazine during the 1940s and 1950s, producing more than fifty photo-essays. In the early 1970s, he photographed in Minamata, Japan, a small village affected by industrial mercury poisoning.
Jim Hughes, former editor of" Camera Arts," the "Photography Annual" and" Camera 35," is the author of "W. Eugene Smith: Shadow & Substance,"" Ernst Haas in Black and White," and "The Birth of a Century."

Review:

"Gene Smith taught me how to print when I was young. I had always thought he was an interesting journalist photographer, and a kind man. Now I know, to my surprise, that he was a great book artist way ahead of his time. " (Photo-Eye Blog 2014-01-04)

""With photographs of children, war, city streets, landscapes, workers, entertainers, religion, doubt, mysterious scenes of beauty and threats of death, The Big Book appears to accomplish Smith’s goals, and embody a perspective of that strange and infinite thing called ‘the human condition’. The atypical layout and the images’ poor readability compounds the effect, leading to something of an emotional whirlwind, vertiginous."" (GUP Magazine 2014-01-09)

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Book Description University of Texas Press, United States, 2013. Hardback. Book Condition: New. Facsimile. Language: English . Brand New Book. W. Eugene Smith, an icon in the field of twentieth-century photography, is best known as the master of the humanistic photographic essay. Smith s most expressive and frequently reproduced images-World War II combat, the country doctor and nurse-midwife, Pittsburgh, Albert Schweitzer in Africa, rural Spanish villagers, and the mentally ill in Haiti-have altered our perception and understanding of the world. In 1959, Smith became obsessed with creating an extended photo-essay that he called The Big Book, a complex retrospective of his work that would reflect his philosophy of art and critique of the world. Smith s layout grouped photographs out of context and chronological order to form a series of connected visual chapters and subchapters that were intended to have a Joycean or Faulknerian literary quality. After three years of intense labor, Smith completed two handmade folio-sized maquettes to send to publishers. With 380 pages and 450 images, The Big Book was universally rejected as unviable and non-commercial, and it was never published. Now, five decades later, a facsimile of W. Eugene Smith s The Big Book, which is part of the Smith Archive at the Center for Creative Photography (CCP) at the University of Arizona, is in print for the first time. Accompanying the facsimile is a supporting volume with a foreword by Dr. Katherine Martinez, Director of CCP; an introduction by William S. Johnson, who arranged Smith s archive at CCP; an essay by the renowned Swiss critic John Berger; notes on the Smith Collection at CCP by archivist Leslie Squyres and Jennifer Jae Gutierrez; The Walk to Paradise Garden, by W. Eugene Smith; and an appendix that maps Smith s complete layout with titles, dates, and reproductions of each image from original prints. The Big Book is an essential primary source document for the study of both the history of photography and the history of the photobook. This set, in slipcase, will likely be the most comprehensive catalogue of W. Eugene Smith s work ever published. Bookseller Inventory # AAJ9780292754683

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Book Description University of Texas Press, United States, 2013. Hardback. Book Condition: New. Facsimile. Language: English . Brand New Book. W. Eugene Smith, an icon in the field of twentieth-century photography, is best known as the master of the humanistic photographic essay. Smith s most expressive and frequently reproduced images-World War II combat, the country doctor and nurse-midwife, Pittsburgh, Albert Schweitzer in Africa, rural Spanish villagers, and the mentally ill in Haiti-have altered our perception and understanding of the world. In 1959, Smith became obsessed with creating an extended photo-essay that he called The Big Book, a complex retrospective of his work that would reflect his philosophy of art and critique of the world. Smith s layout grouped photographs out of context and chronological order to form a series of connected visual chapters and subchapters that were intended to have a Joycean or Faulknerian literary quality. After three years of intense labor, Smith completed two handmade folio-sized maquettes to send to publishers. With 380 pages and 450 images, The Big Book was universally rejected as unviable and non-commercial, and it was never published. Now, five decades later, a facsimile of W. Eugene Smith s The Big Book, which is part of the Smith Archive at the Center for Creative Photography (CCP) at the University of Arizona, is in print for the first time. Accompanying the facsimile is a supporting volume with a foreword by Dr. Katherine Martinez, Director of CCP; an introduction by William S. Johnson, who arranged Smith s archive at CCP; an essay by the renowned Swiss critic John Berger; notes on the Smith Collection at CCP by archivist Leslie Squyres and Jennifer Jae Gutierrez; The Walk to Paradise Garden, by W. Eugene Smith; and an appendix that maps Smith s complete layout with titles, dates, and reproductions of each image from original prints. The Big Book is an essential primary source document for the study of both the history of photography and the history of the photobook. This set, in slipcase, will likely be the most comprehensive catalogue of W. Eugene Smith s work ever published. Bookseller Inventory # AAJ9780292754683

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Book Description University of Texas Press October 2013, 2013. Hardcover. Book Condition: New. W. Eugene Smith, an icon in the field of twentieth-century photography, is best known as the master of the humanistic photographic essay. Smith's most expressive and frequently reproduced images--World War II combat, the country doctor and nurse-midwife, Pittsburgh, Albert Schweitzer in Africa, rural Spanish villagers, and the mentally ill in Haiti--have altered our perception and understanding of the world. In 1959, Smith became obsessed with creating an extended photo-essay that he called 'The Big Book,' a complex retrospective of his work that would reflect his philosophy of art and critique of the world. Smith's layout grouped photographs out of context and chronological order to form a series of connected 'visual chapters and subchapters' that were intended to have a Joycean or Faulknerian literary quality. After three years of intense labor, Smith completed two handmade folio-sized maquettes to send to publishers. With 380 pages and 450 images, The Big Book was universally rejected as unviable and non-commercial, and it was never published. Now, five decades later, a facsimile of W. Eugene Smith's The Big Book, which is part of the Smith Archive at the Center for Creative Photography (CCP) at the University of Arizona, is in print for the first time. Accompanying the facsimile is a supporting volume with a foreword by Dr. Katherine Martinez, Director of CCP; an introduction by William S. Johnson, who arranged Smith's archive at CCP; an essay by the renowned Swiss critic John Berger; notes on the Smith Collection at CCP by archivist Leslie Squyres and Jennifer Jae Gutierrez; 'The Walk to Paradise Garden,' by W. Eugene Smith; and an appendix that maps Smith's complete layout with titles, dates, and reproductions of each image from original prints. The Big Book is an essential primary source document for the study of both the history of photography and the history of the photobook. This set, in slipcase, will likely be the most comprehensive catalogue of W. Eugene Smith's work ever published. Brand new copies. Bookseller Inventory # 144502

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W Eugene Smith, Katharine Martinez, William S Johnson,
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ISBN 10: 029275468X ISBN 13: 9780292754683
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Book Description University of Texas Press October 2013, 2013. Hardcover. Book Condition: New. W. Eugene Smith, an icon in the field of twentieth-century photography, is best known as the master of the humanistic photographic essay. Smith's most expressive and frequently reproduced images--World War II combat, the country doctor and nurse-midwife, Pittsburgh, Albert Schweitzer in Africa, rural Spanish villagers, and the mentally ill in Haiti--have altered our perception and understanding of the world. In 1959, Smith became obsessed with creating an extended photo-essay that he called 'The Big Book,' a complex retrospective of his work that would reflect his philosophy of art and critique of the world. Smith's layout grouped photographs out of context and chronological order to form a series of connected 'visual chapters and subchapters' that were intended to have a Joycean or Faulknerian literary quality. After three years of intense labor, Smith completed two handmade folio-sized maquettes to send to publishers. With 380 pages and 450 images, The Big Book was universally rejected as unviable and non-commercial, and it was never published. Now, five decades later, a facsimile of W. Eugene Smith's The Big Book, which is part of the Smith Archive at the Center for Creative Photography (CCP) at the University of Arizona, is in print for the first time. Accompanying the facsimile is a supporting volume with a foreword by Dr. Katherine Martinez, Director of CCP; an introduction by William S. Johnson, who arranged Smith's archive at CCP; an essay by the renowned Swiss critic John Berger; notes on the Smith Collection at CCP by archivist Leslie Squyres and Jennifer Jae Gutierrez; 'The Walk to Paradise Garden,' by W. Eugene Smith; and an appendix that maps Smith's complete layout with titles, dates, and reproductions of each image from original prints. The Big Book is an essential primary source document for the study of both the history of photography and the history of the photobook. This set, in slipcase, will likely be the most comprehensive catalogue of W. Eugene Smith's work ever published. Bookseller Inventory # 144540

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