Sanctioning Modernism: Architecture and the Making of Postwar Identities (Roger Fullington Series in Architecture)

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9780292757257: Sanctioning Modernism: Architecture and the Making of Postwar Identities (Roger Fullington Series in Architecture)
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In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction—and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be "modern," what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture.

This volume presents focused case studies of modern architecture in three realms—political, religious, and domestic—that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern.

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About the Author:

VLADIMIR KULIĆ is Assistant Professor in the School of Architecture at Florida Atlantic University in Fort Lauderdale. He is the coauthor of Modernism In-Between: The Mediatory Architectures of Socialist Yugoslavia and the coeditor of Unfinished Modernizations―Between Utopia and Pragmatism: Architecture and Urban Planning in the Former Yugoslavia and the Successor States.

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"An original and significant contribution to the field of architectural/design history. . . . This volume [presents] material that is new to art historical investigation: in particular, studies of eastern European traditions in relation to modernism and to architecture under communism with the Cold War as an important backdrop and context. . . . . The volume questions as well as explores and expands [the more familiar canon of postwar architecture], helps the reader by alluding or directly referencing postmodernism, and allows for an overall reconsideration of assumptions that lead to a fuller and more pluralistic understanding of modern architectural and design history." (David Raizman, Distinguished University Professor, Westphal College of of Media Arts and Design, Drexel University, and author of History of Modern Design and coeditor of Objects, Audiences, and Literature: Alternative Narratives in the History of Design)

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9781477307595: Sanctioning Modernism: Architecture and the Making of Postwar Identities (Roger Fullington Series in Architecture)

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Book Description University of Texas Press, United States, 2014. Hardback. Condition: New. Language: English . Brand New Book. In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction-and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be modern, what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture. This volume presents focused case studies of modern architecture in three realms-political, religious, and domestic-that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern. Seller Inventory # AAJ9780292757257

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Book Description University of Texas Press, United States, 2014. Hardback. Condition: New. Language: English . Brand New Book. In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction-and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be modern, what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture. This volume presents focused case studies of modern architecture in three realms-political, religious, and domestic-that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern. Seller Inventory # AAJ9780292757257

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Book Description University of Texas Press June 2014, 2014. Hardcover. Condition: New. In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstructionâ"and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be 'modern,' what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture. This volume presents focused case studies of modern architecture in three realmsâ"political, religious, and domesticâ"that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern. Seller Inventory # 159978

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