This biography draws on unpublished archival material to explore the links between Stoker's life, his vampire tale, and the political, occult and sexual concerns of the 1890s. It shows how Stoker's friendship with Henry Irving led to his life being overshadowed by Irving's achievements.
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"I am here to do Your bidding, Master. I am Your slave, and You will reward me, for I shall be faithful." These words spoken by Renfield to Dracula might have been said by Bram Stoker to his boss, the mesmerizing, domineering actor Henry Irving. Stoker was such a mild-mannered, secretive man that the real subject of this acclaimed biography turns out to be the genesis of his novel Dracula, and Irving--the man who, according to Barbara Belford, inspired its famous monster. Other fascinating characters who appear in Stoker's life are Florence Stoker (courted by Oscar Wilde before Bram married her), Ellen Terry (Irving's leading lady), Walt Whitman, the aging Lord Tennyson, W. S. Gilbert, William Gladstone, Lady Speranza Wilde, her son Oscar, Queen Victoria (who knights Irving, the first actor so honored), George Bernard Shaw, and Mark Twain. As Margot Peters writes in the New York Times Book Review, "Stoker himself is pretty much swamped in these heavy seas. But as Ms. Belford's intelligent, well-written and always interesting book makes clear, Stoker lived to serve. His revenge for lifelong self-effacement was Dracula."From the Inside Flap:
The first full-scale biography of the complex man known today as the author of Dracula, but who was famous in his own time as the innovative manager of London's Lyceum Theatre, home of the greatest English actors of the day, Henry Irving and Ellen Terry.
Barbara Belford tells the story of Stoker the hidden man. On the surface: the very model of Victorian modesty, reserve, and duty, the devoted husband and father. In actuality: a man whose emotional and working energies were in large part expended on the care and cultivation of the flamboyant, mesmerizing genius of the stage, Henry Irving.
We see Stoker the writer of novels and stories that were imbued with sexuality, violence, and the celebration of death -- works at opposite poles from the decorum he presented in society. And Barbara Belford shows us in Dracula a mirror of the undercurrents of Stoker's own life, as well as a masked exploration of subjects utterly forbidden in his time -- seduction, rape, necrophilia, incest, voyeurism -- universal taboos dramatized with such a myth-making edge that the novel remains resonant and unsettling almost one hundred years later.
We follow Stoker from his sickly childhood -entertained by his mother's twice-told tales of Irish hobgoblins and banshees -- to his years as a Dublin undergraduate and newspaperman, when he first wrote to his idol Wait Whitman, spilling out his innermost thoughts and beginning a lifelong correspondence that culminated in their meeting when Stoker traveled to America on tour with Irving and Ellen Terry. We see Stoker's childhood friendship with Oscar Wilde, and watch as the two young men compete for the hand of the beautiful Florence Balcombe, who became Stoker's wife. And we see Stoker in the literary and theatrical circles of Victorian London among such figures as Mark Twain, Arthur Conan Doyle, James Whistler, Lord Tennyson, and George Bernard Shaw.
Belford gives us a vivid picture of the man, his time, his London -- the domestic and theatrical worlds he lived in -- and the dark imaginary realms that were the wellspring of all his writings, especially of his enduring and enduringly fascinating Dracula.
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Book Description Weidenfeld & Nicolson, London, U.K., 1996. Cloth. Book Condition: New. Dust Jacket Condition: New. First Edition. Size: 8vo - over 7¾" - 9¾" tall. Hardback. Bookseller Inventory # 016503
Book Description Weidenfeld & Nicolson, 1996. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110297813315