Serves as the exhibit catalogue of a major show that opened in London (UK), May 1989. Covers the indigenous roots of art in the various countries, the colonial and post-colonial periods, early European travellers, the independence movements, landscapes, popular graphics, political murals, surrealism, recent optical and kinetic movements, and a selection of contemporary works. Very fine reproductions with unobtrusive commentary. Includes an appendix of several artists' manifestos, and a section of biographies. No index. Annotation copyright Book News, Inc. Portland, Or.
"synopsis" may belong to another edition of this title.
While this series of essays on Latin American art was prepared for an exhibition at London's South Bank Centre, it reads more like an introductory survey than an exhibition catalog. In broad thematic chapters, it sketches historical factors contributing to a regional artistic identity--the heritage of the native peoples, the continued dominance of Europe and the United States, and the resurgence of popular traditions; it also explores in more detail developments in Mexico. The text abounds in fine color and black-and-white illustrations and includes brief artist biographies and translations of 20th-century avant-garde manifestos. Unfortunately, the absence of an index or an exhibition checklist will frustrate more serious readers. Recommended nevertheless.
- Annette Melville, Research Lib. Group, Stanford, Cal.
Copyright 1989 Reed Business Information, Inc.
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. Cloth, xxii, 361 pages, illustrations (some colour); 30 cm. Catalogue for an exhibition held at the South Bank Centre, London, in July 1989 and other venues. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** CONTENTS: Independence and its heroes; Academies and historical painting; Traveller-reporter artists and the empirical tradition in post-independence Latin America, by Stanton Loomis Catlin; Nature, science and the picturesque; Jose Maria Velasco; Posada and the popular graphic tradition; Modernism and the search for roots; The Taller de grafica popular; Indigenism and social realism; Private worlds and public myths; Arte madi/arte concreto-invencion; A radical leap, by Guy Brett; History and identity. Size: 4to. Collectible. Seller Inventory # 200755
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