This specific ISBN edition is currently not available.View all copies of this ISBN edition:
Arriving in Rome in 1825, Corot spent three years painting and drawing the landscape nearby. In their freshness and candour, his open-air studies seem to point forward, toward Impressionism. Galassi shows that they also point to the past. Half a century before Corot visited Italy, the community of foreign artists at Rome had spawned a school of outdoor painting. Under the banner of Neoclassicism, an international roster of artists - British, French, German, Scandinavian - elaborated the experiment into a rich tradition, absorbing the lessons of Poussin and Claude and appropriating the motifs of the viewmakers. Corot's work marks the culmination of the tradition, the last, flowering of the classical landscape ideal. Drawing on the efforts of scholars, dealers, and collectors, Galassi establishes the coherence and significance of early outdoor painting in Italy. Building on this foundation, he explores in depth Corot's magnificent landscapes.
"synopsis" may belong to another edition of this title.
Extensively illustrated, this critical study by MoMA curator Galassi argues for a reevaluation of both Corot's work and the place of outdoor painting in 19th-century art.
Copyright 1996 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Book Description Yale University Press, 1991. Hardcover. Condition: New. Never used!. Seller Inventory # P110300049579
Book Description Condition: New. New. Seller Inventory # S-0300049579
Book Description Yale University Press, 1991. Condition: New. book. Seller Inventory # M0300049579