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Vickers argues that all of the several schools of Shakespeare criticism today, each proclaiming their own rightness and everyone else's wrongness, distort the text by omission and misrepresentation. He refutes the iconoclastic ideas from Paris of the 1960s, which he blames for the whole mess, then explains the theoretical basis of deconstructionism, feminism, new historicism, cultural materialism, and psychoanalytic Marxist and Christian interpretations, and who how each is biased and fragmentary. Annotation copyright Book News, Inc. Portland, Or.
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The last twenty years have seen an increasing fragmentation in Shakespeare studies, with the emergence of several critical schools, each with its own ideology, each convinced that all other approaches are deficient. In this important book, Brian Vickers argues that, in attempting to appropriate Shakespeare for their own purposes, each of these schools distorts the text by omission and misrepresentation. Two substantial opening chapters trace the derivation of current literary theory from the iconoclastic mood of l960s Paris. They show how an influential group of thinkers in the structuralist and post-structuralist tradition (Levi-Strauss, Barthes, Lacan, Althusser, Derrida, Foucault) promulgated a wholly negative concept of language, arguing that language cannot reliably represent reality; that literature cannot represent life; and that since no definitive reading is possible, all interpretation is misrepresentation. Vickers demonstrates that these attitudes have been decisively refuted, restates the central properties of language, and rehabilitates the notion of the author as creator of a literary work. At the core of the book he surveys the main conflicting schools in Shakespearian literary criticism - deconstructionism, feminism, new historicism, cultural materialism, and psychoanalytic, Marxist and Christian interpretations - describing the theoretical basis of each school, both in its own words and in those of its critics. Evaluating the resulting interpretations of Shakespeare, he shows that each is biased and fragmentary in its own way. Solidly researched, sharply argued and inevitably controversial, this book challenges many recent orthodoxies. As well as to theatre goers andreaders of Shakespeare and Elizabethan drama, it will be of great interest to anyone concerned with modern literary theory.About the Author:
Brian Vickers is professor of English literature and director of the Centre for Renaissance Studies at the ETH Zurich (Swiss Federal Institute of Technology).
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Book Description Yale University Press. Hardcover. Condition: New. 0300054157 New Condition. Seller Inventory # NEW7.1912029
Book Description Yale University Press, 1993. Hardcover. Condition: New. Never used!. Seller Inventory # P110300054157
Book Description Yale University Press, 1993. Condition: New. book. Seller Inventory # M0300054157